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11
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The Barber of Seville

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January
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April
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April
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May
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December
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December
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Ore 11:00
31
December
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Ore 18:00

June 13 and 15

MANZONI AUDITORIUM

Performance in concert form

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2024/2025 PROJECT
DER RING DES NIBELUNGEN
Second Day in Three Acts
Music and Libretto by Richard Wagner

The Ring of the Nibelung, day two. Brünnhilde still sleeps behind a wall of fire. Meanwhile, the son of the forbidden union between Siegmund and Sieglinde whom the walkiria had protected, Siefried, grows up strong, naive, knowing no fear. Like the heroes of fairy tales, he sets out on his adventure: he forges anew Nothung, his father’s broken sword, slays the dragon, takes possession of its magical treasures, and by seeping its blood acquires the power to understand birdsong. He thus learns of the mysterious sleeping beauty and waking her up he finally knows with love the fear. A new era opens, that of Brünnhilde and Siegfried. Those who had initiated the events of the Ring are powerless: the young hero kills Fafner, one of the giant builders of the Walhall now mutated into a dragon, and the dwarf Mime; he prevents Alberich from regaining his power; he breaks the spear of Wotan, who in the guise of a Wayfarer willingly accepts the impending end.

Director

DIRECTOR
Oksana Lyniv

Main Characters and Performers

SIEGFRIED
Michael Heim

MIME
Matthäus Schmidlechner

DER WANDERER
Thomas Johannes Mayer

BRÜNHILDE

STIMME DES WALDVOGELS
Julia Grueter

SIEGFRIED
Michael Heim
MIME
Matthäus Schmidlechner
DER WANDERER
Thomas Johannes Mayer
ALBERICH
Claudio Otelli
FAFNER
Sorin Coliban
ERDA
Bernadette Fodor
BRÜNHILDE
Sonja Šarić
STIMME DER WALDVOGELS
Julia Grueter

SCENE
Federica Parolini

COSTUMES
Silvia Aymonino

LUCI
Alessandro Verazzi

Author

Richard Wagner

(1813-1883) German composer known for his monumental and revolutionary works. His most famous compositions include “The Ring of the Nibelung” (a tetralogy that includes “The Rhine Gold,” “The Valkyrie,” “Siegfried,” and “Twilight of the Gods”), “Tristan and Isolde,” and “Parsifal.” Wagner revolutionized opera with the concept of “musical drama” and the use of the leitmotif, recurring musical themes associated with characters or ideas. His harmonic, structural and orchestral innovations have had a lasting impact on classical music and make him a central figure in music history.

June 13 and 15

MANZONI AUDITORIUM

Performance in concert form

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"Der ring des Nibelungen" cycle is dedicated to Marino Golinelli

JUNE
Friday 13 | H 18.00 | Prime – Evening
Sunday 15 | H 16.00 | Sunday – Afternoon 1 – Afternoon 2

Act 1 70 min.
Interval 25 min.
Act 2 80 min.
Interval 25 min.
Act 3 80 min.

Tot. 4h 40min.

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