{"id":116341,"date":"2025-01-22T15:48:20","date_gmt":"2025-01-22T14:48:20","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/symphony-season-2025-pietari-inkinen-director\/"},"modified":"2025-02-16T18:40:17","modified_gmt":"2025-02-16T17:40:17","slug":"symphony-season-2025-pietari-inkinen-director","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/symphony-season-2025-pietari-inkinen-director\/","title":{"rendered":"Symphony Season 2025 | Pietari Inkinen director"},"content":{"rendered":"

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All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”25″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”2″ z_index=”1″ enable_top_divider=”default” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ uncode_shortcode_id=”661656″ row_height_pixel=”100″ back_color_type=”uncode-solid” back_color_solid=”#246cbb”][vc_column column_width_percent=”80″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”0″ back_color=”color-xsdn” overlay_alpha=”75″ shift_x=”0″ shift_y=”-2″ shift_y_down=”-1″ z_index=”2″ medium_width=”0″ mobile_width=”0″ shadow=”sm” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”157802″ back_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”811325″ limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”29″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ radius=”lg” width=”1\/1″ uncode_shortcode_id=”128115″][vc_custom_heading text_font=”font-168876″ uncode_shortcode_id=”664835″]<\/p>\n

SYMPHONIC SEASON 2025
\n<\/span><\/span><\/h3>\n

Pietari Inkinen director <\/em> <\/span><\/span><\/h2>\n

SIBELIUS | \u0160OSTAKOVI\u010c<\/span><\/span><\/h4>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”122470″][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”172872″]<\/p>\n

Director<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”108750″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”117146″ media_overlay_color_type=”uncode-palette” media_link=”url:https%3A%2F%2Fpietariinkinen.com”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”60″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”527282″][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”924414″ back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”162082″]<\/p>\n

MARCH 12 | H 8:30 P.M.
\n<\/span>Manzoni Auditorium<\/span><\/h4>\n

[\/vc_column_text][vc_button button_color=”color-742106″ radius=”btn-round” border_width=”0″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2F6-sinfonica-2025-inkinen%2F251903|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”119767″]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” border_width=”0″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fabbonamenti-stagione-sinfonica-2025%2F|title:Symphony%20Season%20Subscriptions%202025|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”117193″]SYMPHONY SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_column_text text_lead=”small” uncode_shortcode_id=”113023″]<\/p>\n

Main Partner<\/span><\/p>\n

[\/vc_column_text][vc_single_image media=”81171″ media_width_percent=”50″ alignment=”center” uncode_shortcode_id=”629709″ media_link=”url:https%3A%2F%2Fwww.intesasanpaolo.com”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”209808″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”162837″]<\/p>\n

PROGRAM<\/span><\/h4>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”212896″]<\/p>\n

Jean Sibelius<\/i><\/span><\/span><\/h4>\n

Symphony No. 5 in E-flat major <\/em>, op. 82<\/p>\n

Dmitry Dmitrievi\u010d \u0160ostakovi\u010d<\/i><\/span><\/span><\/h4>\n

Symphony No. 5 in D minor <\/em>, op. 47<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”387273″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”162837″]<\/p>\n

PROGRAM<\/span><\/h4>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”212896″]<\/p>\n

Jean Sibelius<\/i><\/span><\/span><\/h4>\n

Symphony No. 5 in E-flat major <\/em>, op. 82<\/p>\n

Dmitry Dmitrievi\u010d \u0160ostakovi\u010d<\/i><\/span><\/span><\/h4>\n

Symphony No. 5 in D minor <\/em>, op. 47<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” mobile_visibility=”yes” uncode_shortcode_id=”996356″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”162837″]<\/p>\n

PROGRAM<\/span><\/h4>\n

[\/vc_column_text][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”57377″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”129672″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”105942″]<\/p>\n

Jean Sibelius<\/i><\/span><\/span><\/h4>\n

Symphony No. 5 in E-flat major <\/em>, op. 82<\/strong><\/p>\n

It was the Comunale in Bologna that was the first stage for Sibelius’ music in Italy (with Arturo Toscanini on the podium, in 1904). Since then, the Finn’s music has never left Bologna.
\n<\/span>Commissioned by the government of Finland to celebrate the fiftieth birthday of Sibelius, who was already considered a national hero, the Fifth was a troubled work that cost the composer a full seven years of gestation, from 1912 to 1919. Unforgettable is the “swan theme,” hence the identification of the Fifth <\/i>as the “Swan Symphony”: that motif, played by horns and trombones, is inspired by a vision of sixteen swans in flight over his home in Ainola, nestled in the Finnish forests. [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=””][vc_column_inner width=”1\/4″][vc_single_image media=”92967″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”308593″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text uncode_shortcode_id=”191873″]<\/p>\n

Dmitry Dmitrievi\u010d \u0160ostakovi\u010d<\/i><\/span><\/span><\/h4>\n

Symphony No. 5 in D minor <\/em>, op. 47<\/strong><\/p>\n

In 1937, at the height of the horrific Stalinist purges, Dmitry \u0160ostakovi\u010d wrote his Fifth Symphony, one of his most long-suffering compositions. The previous year he had been attacked by Pravda, which accused him of “formalism,” bourgeois art “the enemy” of the people. Just at that time \u0160ostakovi\u010d had completed the experimental and complex Fourth Symphony, but once he got in the regime’s crosshairs he decided to lock it in a drawer, waiting for better times. Instead he composed the Fifth, a work strangely appreciated by the Soviet establishment, which failed to recognize the composer’s painful act of denunciation, hidden beneath an apparent triumphalist facade. Years later, it would be \u0160ostakovi\u010d himself who would reveal how the jubilation of this symphony was a mask worn to liberate creativity in times of terror.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”757098″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”162837″]<\/p>\n

PROGRAM<\/span><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”214123″][vc_column width=”1\/4″][vc_single_image media=”108713″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”204621″ media_overlay_color_type=”uncode-palette”][\/vc_column][vc_column width=”3\/4″][vc_column_text uncode_shortcode_id=”985107″]<\/p>\n

Overture, “Le Carnaval Romain”<\/i><\/span><\/span><\/h4>\n

In 1844 Hector Berlioz, among the great fathers of French Romanticism and one of the greatest innovators in the symphonic field, wrote a concert piece in A major with an extensive solo part reserved for the English horn. Thus was born the Overture “Le Carnaval romain,” a brilliant piece of broad melodic generosity, full of themes from the opera Benvenuto Cellini, composed six years earlier. The themes of the opera used, in fact, are those related to the Roman carnival scenes from which the overture takes its title.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”152793″][vc_column width=”1\/4″][vc_single_image media=”66276″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”365291″ media_overlay_color_type=”uncode-palette”][\/vc_column][vc_column width=”3\/4″][vc_column_text uncode_shortcode_id=”650756″]<\/p>\n

“Pr\u00e8lude \u00e0 l’apr\u00e8s-midi d’un faune.”<\/em><\/span><\/h4>\n

The notes are released like sensual exhalations in “Pr\u00e9lude a l’apr\u00e8s-midi d’un faune” (1892-94) Claude Debussy’s first great symphonic masterpiece, which is immediately presented with its “new breath” (Pierre Boulez’s definition) thanks to the flute’s enigmatic opening phrase, “so full of voluptuousness as to become anguished,” Vladimir Jank\u00e9l\u00e9vitch’s words.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”145877″][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”161060″]<\/p>\n

ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA<\/span><\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” mobile_visibility=”yes” uncode_shortcode_id=”118489″][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”161060″]<\/p>\n

ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA<\/span><\/h3>\n

[\/vc_column_text][vc_single_image media=”108361″ media_width_percent=”76″ alignment=”center” uncode_shortcode_id=”256005″][vc_column_text text_lead=”small” uncode_shortcode_id=”235746″]<\/p>\n

An orchestra of great tradition, Sergiu Celibidache, Zolt\u00e1nPesk\u00f3, Vladimir Delman, Riccardo Chailly, Daniele Gatti, and Michele Mariotti have taken turns at its helm as music directors. Among the conductors who have led the ensemble are Gary Bertini, Myung-Whun Chung, James Conlon, Pinchas Steinberg, Valery Gergiev, Eliau Inbal, Vladimir Jurowskij, Daniel Oren, Peter Maag, Neville Marriner, Kurt Masur, Riccardo Muti, Mstislav Rostropovi\u010d, Esa Pekka Salonen, Georg Solti, Christian Thielemann, Charles Dutoit, Georges Pr\u00eatre. The Teatro Comunale Orchestra is frequently invited abroad (Holland, Romania, Spain, France and Switzerland) and has participated in prestigious festivals (Amsterdam 1987, Parma 1990, Wiesbaden 1994, Santander 2004 and 2008, Aix en Provence 2005, Savonlinna 2006, Macau 2013, Muscat 2015, Guanajuato in Mexico 2017, Paris 2018). A privileged relationship with Japan has resulted in several tours, most recently in June 2019 in Osaka, Tokyo, Yokohama, Fukuoka, with Rigoletto<\/i> and Il barbiere di Siviglia<\/i>.<\/p>\n

Numerous record productions, including La Favorita <\/i>diretta da Richard Bonynge, Oberto Conte di San Bonifacio<\/i> diretto da Zolt\u00e1n Pesk\u00f3, Il barbiere di Siviglia <\/i>diretto da Giuseppe Patan\u00e9, La figlia del reggimento<\/i> diretta da Bruno Campanella, Le maschere<\/i> e La boh\u00e8me<\/i> dirette da Gianluigi Gelmetti, La scala di seta<\/i> diretta da Gabriele Ferro, Macbeth<\/i>, Manon Lescaut<\/i>, Rigoletto<\/i>, La cenerentola, Messa Solenne <\/i>e le produzioni videografiche dei Vespri siciliani <\/i>e di Giovanna d\u2019Arco<\/i> e Werther<\/i> dirette da Riccardo Chailly, Armida<\/i> diretta da Daniele Gatti, Simon Boccanegra<\/i> e Attila <\/i>diretti da Michele Mariotti .<\/i><\/p>\n

The Orchestra, led by Mariotti, has recorded for Decca a CD of sacred arias with Juan Diego Fl\u00f3rez <\/i>and for Sony an album of romantic arias with Nino Machaidze; for Deutsche Grammophon Le Comte Ory<\/i> with Fl\u00f3rez<\/i> and La Nuit de Mai<\/i>, opera arias and songs by Leoncavallo, with Placido Domingo; and for the PENTATONE label a CD of Rossini overtures to celebrate 150 years since the composer’s death.In April 2021 the orchestra recorded for Deutsche Grammophon a forthcoming disc with tenor Benjamin Bernheim and Fr\u00e9d\u00e9ric Chaslin on the podium.<\/p>\n

Nel marzo 2013 i corpi artistici del Teatro Comunale di Bologna diretti da Mariotti sono stati protagonisti del concerto inaugurale del IV Festival internazionale Mstislav Rostropovich di Mosca eseguendo la Messa da Requiem<\/i> di Verdi. Poi nell\u2019ottobre del 2015 hanno inaugurato la rassegna Lingotto Musica presso l\u2019Auditorium Giovanni Agnelli di Torino, dove hanno eseguito lo Stabat Mater<\/i>, l\u2019Ouverture e le Danze dal Guillaume Tell<\/i> di Rossini. Inoltre, la nuova produzione della Boh\u00e8me <\/i>al Teatro Comunale, con la regia di Graham Vick e la direzione di Mariotti, ha vinto il Premio Abbiati come miglior spettacolo del 2018.<\/p>\n

After thirty years of participation in the Rossini Opera Festival (from 1988 to 2016), 2017 marked a new collaboration between the Municipal Theatre of Bologna and the Verdi Festival of Parma which, among the various productions, saw the Orchestra engaged in the Stiffelio<\/i> signed by Graham Vick. Staged at the Farnese Theatre, it achieved a great success with the public and critics by winning the Special Prize of the 37th “Franco Abbiati” Music Critics Award. In 2019 the Orchestra was the protagonist of the Verdi Festival in the Luisa Miller<\/i> at the church of San Francesco del Prato in Parma and in the Aida <\/i>at the Verdi Theatre in Busseto, while in 2020 of a symphonic concert conducted by Valerij Gergiev at the Teatro Regio in Parma. Since January 2022 the Musical Director of the Municipal Theatre of Bologna is Oksana Lyniv.<\/p>\n

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[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ <\/p><\/div>…","protected":false},"author":18,"featured_media":114002,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[495,496,519,524,526,527,528],"class_list":["post-116341","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-concerti-en","portfolio_category-calendario-en","portfolio_category-2025-en","portfolio_category-season-2025","portfolio_category-symphony-2025","portfolio_category-upcoming-events-en","portfolio_category-symphony-concerts"],"acf":[],"yoast_head":"\nSymphony Season 2025 | Pietari Inkinen director - Teatro Comunale di Bologna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tcbo.it\/en\/eventi\/symphony-season-2025-pietari-inkinen-director\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Symphony Season 2025 | Pietari Inkinen director\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″] Let’s talk about Opera | Opera Season 2025 LET’S TALK ABOUT “A MASQUERADE BALL” WITH LODO GUENZI [\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tcbo.it\/en\/eventi\/symphony-season-2025-pietari-inkinen-director\/\" \/>\n<meta property=\"og:site_name\" content=\"Teatro Comunale di Bologna\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TeatroComunaleBologna\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-16T17:40:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tcbo.it\/wp-content\/uploads\/2024\/10\/inkinen-1203-2-1024x576.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ComunaleBologna\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tcbo.it\\\/en\\\/eventi\\\/symphony-season-2025-pietari-inkinen-director\\\/\",\"url\":\"https:\\\/\\\/www.tcbo.it\\\/en\\\/eventi\\\/symphony-season-2025-pietari-inkinen-director\\\/\",\"name\":\"Symphony Season 2025 | Pietari Inkinen director - 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