{"id":116373,"date":"2025-01-22T15:48:54","date_gmt":"2025-01-22T14:48:54","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/against-the-light-eros-and-thanatos\/"},"modified":"2025-01-22T15:49:00","modified_gmt":"2025-01-22T14:49:00","slug":"against-the-light-eros-and-thanatos","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/against-the-light-eros-and-thanatos\/","title":{"rendered":"Against the Light | Eros and Thanatos"},"content":{"rendered":"

[vc_row unlock_row=”” row_height_percent=”50″ back_image=”114804″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” inverted_device_order=”yes” auto_height_device=”yes” uncode_shortcode_id=”545844″ css=”.vc_custom_1733158293298{border-top-width: 80px !important;padding-bottom: 80px !important;}”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”100″ override_padding=”yes” h_padding=”7″ top_padding=”7″ bottom_padding=”7″ back_color=”color-jevc” back_image=”114795″ back_repeat=”no-repeat” parallax=”yes” overlay_alpha=”50″ gutter_size=”0″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”970302″ back_color_type=”uncode-palette” css=”.vc_custom_1733152398684{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 80px !important;padding-right: 0px !important;padding-bottom: 80px !important;padding-left: 0px !important;}”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”46″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”141324″][vc_column width=”2\/3″][vc_custom_heading uncode_shortcode_id=”133390″]<\/p>\n

IN CONTROL
\n<\/span>Opera Routes, between Art and History<\/span><\/h3>\n

Opera Season 2025<\/p>\n

Lucia di Lammermoor<\/span><\/em><\/span><\/h1>\n

EROS AND THANATOS<\/span><\/span><\/h1>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”101029″ limit_content=””][vc_column_inner column_width_percent=”100″ position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”246079″ back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”754714″]<\/p>\n

FEB 9 | H 6:30 P.M.
\n<\/span>Manzoni Auditorium<\/span><\/span><\/h3>\n

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FULL<\/span> <\/span>15\u20ac<\/span>
\n<\/span><\/span>REDUCED <\/span><\/span><\/span>(Public Opera Teatro Comunale di Bologna) <\/span>7.50\u20ac*
\n<\/span><\/span><\/span><\/span>U30 5<\/span><\/span><\/span>\u20ac<\/span><\/span><\/span><\/h5>\n
<\/span><\/span><\/span><\/h5>\n

Subscribers<\/strong> to the 2025 Opera Season have free<\/strong> admission subject to availability. Subscribers will be able to pick up tickets by presenting their season tickets at the theater’s box office counters (Largo Respighi, 1) according to opening hours<\/a>. <\/span>[\/vc_column_text][vc_button button_color=”color-742106″ radius=”btn-circle” border_animation=”btn-ripple-out” border_width=”0″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Fin-controluce-lucia-di-lammermoor%2F257786|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”629117″]BUY[\/vc_button][vc_column_text text_lead=”small” uncode_shortcode_id=”438765″]*Reduction<\/span>is reserved for those who have already purchased a ticket on at least one date of the opera title being explored. The reduction will be verified at the time of admission upon presentation of the ticket purchased on the opera title. <\/span><\/span><\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text text_lead=”yes” uncode_shortcode_id=”401928″]It is at the Th\u00e9\u00e2tre des Arts in Rouen that Madame Bovary attends a performance of Donizetti’s opera. An episode that becomes a summary of the entire existence of Emma, Flaubert’s heroine. From this opening, a psychoanalyst and an art historian narrate an opera that still surprises for its ability to weave all the notes of the Gothic tale – family vendettas, denied love, forced marriage, murder, madness – paving the way for an analysis that, devoid of its romantic atmospheres, succeeds like few others in investigating the passions, digging into the souls of the protagonists to reveal what lies beneath the social structures and psychological pressures that will suffocate Lucia di Lammermoor without remedy. <\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=”205041″]<\/p>\n

with<\/span><\/h4>\n

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A psychiatrist, he was president of the Italian Psychoanalytic Society and of the International Psychoanalytical Association, the worldwide association of psychoanalysts founded by Sigmund Freud in 1910. His books and scientific works have been translated into many languages, and his main interests have been in empathy, dreaming, interpsychic and intergenerational relations. He is the founder of the Inter-Regional Encyclopedic Dictionary of Psychoanalysis<\/i> and regularly gives seminars and lectures intercontinentally. <\/span><\/p>\n

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Giovanni Carlo Federico Villa, university professor, is director of Palazzo Madama in Turin and president of the Ateneo di Scienze Lettere ed Arti in Bergamo. A former member of the Superior Council for Cultural and Landscape Heritage of the Ministry of Culture (2019-2022), he was honorary director of the Civic Museums of Vicenza (2015-2018) and for the Scuderie del Quirinale in Rome he curated the exhibitions Antonello da Messina<\/em> (2006), Giovanni Bellini<\/em> (2008), Lorenzo Lotto <\/em>(2011), Tintoretto <\/em>(2012) and Titian <\/em>(2013), as well as numerous exhibition projects in Italy and abroad. He is the author of more than three hundred publications and important monographs. His popular appearances related to the national artistic heritage on major Italian and foreign radio and television channels are numerous. <\/span><\/p>\n

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FEB 9 | H 6:30 P.M.
\n<\/span>Manzoni Auditorium<\/span><\/span><\/h3>\n

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FULL<\/span> <\/span>15\u20ac<\/span>
\n<\/span><\/span>REDUCED <\/span><\/span><\/span>(Public Opera Teatro Comunale di Bologna) <\/span>7.50\u20ac*
\n<\/span><\/span><\/span><\/span>U30 5<\/span><\/span><\/span>\u20ac<\/span><\/span><\/span><\/h5>\n
<\/span><\/span><\/span><\/h5>\n

Subscribers<\/strong> to the 2025 Opera Season have free<\/strong> access while seats assigned to the category are available. Subscribers will be able to pick up tickets by presenting their season tickets at the theater’s box office counters (Largo Respighi, 1) according to opening hours<\/a>. <\/span>[\/vc_column_text][vc_button button_color=”color-742106″ radius=”btn-circle” border_animation=”btn-ripple-out” border_width=”0″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Fin-controluce-lucia-di-lammermoor%2F257786|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”459710″]BUY[\/vc_button][vc_column_text text_lead=”small” uncode_shortcode_id=”438765″]*Reduction<\/span>is reserved for those who have already purchased a ticket on at least one date of the opera title being explored. The reduction will be verified at the time of admission upon presentation of the ticket purchased on the opera title. <\/span><\/span><\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”991554″]<\/p>\n

Edited by Barbara Abbondanza<\/span><\/span><\/strong><\/h5>\n
in co-production with<\/span><\/strong><\/h5>\n

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9 FEB | H 18.30
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