{"id":116419,"date":"2025-01-22T15:49:05","date_gmt":"2025-01-22T14:49:05","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/oedipus-rex\/"},"modified":"2025-10-01T10:47:16","modified_gmt":"2025-10-01T09:47:16","slug":"oedipus-rex","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/oedipus-rex\/","title":{"rendered":"Oedipus Rex"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”60″ back_color=”color-jevc” back_image=”115050″ back_repeat=”no-repeat” back_attachment=”scroll” back_position=”center center” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”702815″ back_color_type=”uncode-palette” back_size=”cover”][vc_column column_width_percent=”50″ position_vertical=”bottom” align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”2″ font_family=”font-180609″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”170666″][\/vc_column][\/vc_row][vc_row row_height_percent=”60″ back_image=”115050″ overlay_alpha=”19″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”873873″][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”159538″]

All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
18<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”25″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”2″ z_index=”1″ enable_top_divider=”default” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ uncode_shortcode_id=”152611″ row_height_pixel=”100″ back_color_type=”uncode-solid” back_color_solid=”#2b9878″][vc_column column_width_percent=”80″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”0″ back_color=”color-xsdn” overlay_alpha=”75″ shadow=”sm” shadow_darker=”yes” shift_x=”0″ shift_y=”-2″ shift_y_down=”-1″ z_index=”2″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”157802″ back_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”811325″ limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”29″ radius=”lg” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”128115″][vc_custom_heading text_font=”font-168876″ uncode_shortcode_id=”179312″]<\/p>\n

2025 OPERA SEASON<\/span><\/span><\/h3>\n

OEDIPUS REX<\/span><\/span><\/h1>\n

Igor’ Fyrodovich Stravinsky<\/span><\/h4>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”917014″][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shadow=”xs” shadow_darker=”yes” shift_x=”0″ shift_y=”-1″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”189397″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”100645″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”100″ shadow=”xs” shadow_darker=”yes” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”111171″ back_color_type=”uncode-palette”][vc_custom_heading uncode_shortcode_id=”160066″]<\/p>\n

Oct. from 7 to 12<\/span>
\n<\/span><\/h4>\n

COMUNALE NOUVEAU<\/span><\/h4>\n
(Piazza della Costituzione, 4 Bologna)<\/span><\/h6>\n

<\/h2>\n

[\/vc_custom_heading][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”665506″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Foedipus-rex%2F241872|title:Opera%20Season%202025|target:_blank|”]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”468752″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fabbonamenti-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]OPERA SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”131148″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_color=”color-gyho” overlay_alpha=”85″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”174133″ overlay_color_type=”uncode-palette” back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”821448″]Myth as monument. An actor, speaking in the language of the audience, wanders among musical numbers tracing Sophocles’Oedipus Rex<\/i>. A contemporary voice among eternal elements, in Latin, a lingua franca, ancient and universal. The spoken word and the music. We are in France, at the end of the 1920s, and Igor Stravinsky no longer plays with quotations as he had done in Pulcinella<\/i>, but creates a kind of ideal past in which the narrator is inspired by the Baroque tradition of the oratorio and constitutes a very modern alienating element between mythical action and present time, between theater and reality. The whole work is two-faced, as well as bilingual (by Jean Cocteau with Latin translations by Jean Dani\u00e9lou, theologian and literary scholar), imbued with a rhythmic power that makes it as ancient and solemn as it is modern and vital, marble and pulsating. Murderer of his father, groom of his mother, annihilated by self-discovery, Oedipus in his harried quest continues to arouse pity and terror as in classical tragedy. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”150549″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”481059″ back_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”183372″]<\/p>\n

Opera – oratorio in two acts
\nLibretto by Igor’ F\u00ebrodovi\u010d Stravinsky and Jean Cocteau, from Sophocles (translated into Latin by Jean Dani\u00e9lou)<\/h6>\n

Myth as monument. An actor, speaking in the language of the audience, wanders among musical numbers tracing Sophocles’Oedipus Rex<\/i>. A contemporary voice among eternal elements, in Latin, a lingua franca, ancient and universal. The spoken word and the music. We are in France, at the end of the 1920s, and Igor Stravinsky no longer plays with quotations as he had done in Pulcinella<\/i>, but creates a kind of ideal past in which the narrator is inspired by the Baroque tradition of the oratorio and constitutes a very modern alienating element between mythical action and present time, between theater and reality. The whole work is two-faced, as well as bilingual (by Jean Cocteau with Latin translations by Jean Dani\u00e9lou, theologian and literary scholar), imbued with a rhythmic power that makes it as ancient and solemn as it is modern and vital, marble and pulsating. Murderer of his father, groom of his mother, annihilated by self-discovery, Oedipus in his harried quest continues to arouse pity and terror as in classical tragedy. <\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”103443″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”814159″]<\/p>\n

CONDUCTOR
\n<\/span>Oksana Lyniv<\/span><\/h4>\n

DIRECTOR
\n<\/span>Gabriele Lavia<\/span><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”137916″][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”882564″]<\/p>\n

Conductor<\/span><\/h4>\n

[\/vc_column_text][vc_single_image media=”93155″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”h6″ media_link=”url:https%3A%2F%2Foksanalyniv.com%2Fen|target:_blank|rel:nofollow” uncode_shortcode_id=”720953″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”612379″]<\/p>\n

Directing<\/span><\/h4>\n

[\/vc_column_text][vc_single_image media=”112207″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”h6″ media_link=”url:https%3A%2F%2Fit.wikipedia.org%2Fwiki%2FGabriele_Lavia|target:_blank|rel:nofollow” uncode_shortcode_id=”536679″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”162152″]<\/p>\n

New Production of the Teatro Comunale di Bologna<\/span>
\n<\/span><\/h4>\n

[\/vc_column_text][vc_separator sep_color=”” icon=”fa fa-group” uncode_shortcode_id=”225623″][vc_column_text uncode_shortcode_id=”210380″]<\/p>\n

Performers<\/span><\/h4>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”512377″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”190828″]NARRATOR
\nGabriele Lavia
\n<\/b>EDIPO
\nGianluca Terranova
\n<\/b>GIOCASTA
\nAtala sch\u00f6ck
\n<\/b>CREONTE \/ IL MESSAGGERO
\nAnton Keremidtchiev
\n<\/b>TIRESIA
\nSorin Coliban
\n<\/b>THE PASTOR
\nSven Hj\u00f6rleifsson<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”508770″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”186338″]<\/p>\n

NARRATOR<\/p>\n

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EDIPO<\/p>\n

[\/vc_column_text][vc_single_image media=”117933″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”rel:nofollow” uncode_shortcode_id=”214322″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”194516″]<\/p>\n

CREON \/ THE MESSENGER<\/p>\n

[\/vc_column_text][vc_single_image media=”117934″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”rel:nofollow” uncode_shortcode_id=”430338″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”209799″]<\/p>\n

TIRESIA<\/p>\n

[\/vc_column_text][vc_single_image media=”109863″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.sorincoliban.com|rel:nofollow” uncode_shortcode_id=”780074″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”508770″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”208139″]<\/p>\n

GIOCASTA<\/p>\n

[\/vc_column_text][vc_single_image media=”87931″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”rel:nofollow” uncode_shortcode_id=”755020″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”179777″]<\/p>\n

THE PASTOR<\/p>\n

[\/vc_column_text][vc_single_image media=”117935″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”rel:nofollow” uncode_shortcode_id=”102646″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”179616″][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”127131″]<\/p>\n

SCENE
\nFederica Parolini<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”158948″]<\/p>\n

COSTUMES
\nSilvia Aymonino<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”131474″]<\/p>\n

LUCI
\nAlessandro Verazzi<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” uncode_shortcode_id=”204524″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”205327″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”150303″]<\/p>\n

ASSISTANT DIRECTOR
\nGianni Marras<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”958621″]<\/p>\n

SETS
\nAlessandro Camera<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”126484″]<\/p>\n

COSTUMES
\nAndrea Viotti<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=”139951″]<\/p>\n

COSTUME ASSISTANT
\nGiulia Rovetto<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”729850″]<\/p>\n

LIGHTS
\nDaniele Naldi<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” uncode_shortcode_id=”204524″][vc_column_text uncode_shortcode_id=”558324″]<\/p>\n

Author<\/span><\/h4>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”35″ equal_height=”yes” gutter_size=”3″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”triangle” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” bottom_divider=”triangle” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ limit_content=”” uncode_shortcode_id=”169627″ back_color_type=”uncode-solid” back_color_solid=”#d1370c”][vc_column_inner column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ radius=”xl” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”136449″][vc_single_image media=”99499″ media_width_percent=”60″ alignment=”center” shape=”img-circle” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”||target:%20_blank|rel:nofollow” uncode_shortcode_id=”104285″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ style=”dark” back_color=”color-lxmt” overlay_alpha=”50″ shadow=”xs” shadow_darker=”yes” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”3\/4″ uncode_shortcode_id=”173381″ back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”131853″]<\/p>\n

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(1882-1971) was a naturalized French and later American Russian composer, celebrated for his versatility and innovation. His major works include the ballets “The Firebird,” “Petrushka” and “The Rite of Spring,” which revolutionized 20th-century music with complex rhythms and bold harmonies. Stravinsky explored various styles, from neoclassicism to serialism, deeply influencing contemporary music and leaving an indelible mark on the history of music. <\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”140551″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”163285″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-xsdn” overlay_alpha=”100″ shadow=”xs” shadow_darker=”yes” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”196304″ back_color_type=”uncode-palette”][vc_custom_heading uncode_shortcode_id=”156804″]<\/p>\n

October 7 | 9 | 12<\/span><\/span><\/h4>\n

COMUNALE NOUVEAU<\/span><\/h4>\n
(Piazza della Costituzione, 4 Bologna)<\/span><\/h6>\n

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[\/vc_custom_heading][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”665506″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Foedipus-rex%2F241872|title:Opera%20Season%202025|target:_blank|”]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”468752″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fabbonamenti-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]OPERA SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab icon=”fa fa-text-align-justify” gutter_size=”3″ column_padding=”2″ title=”Shifts” tab_id=”085e0cd9-b636-516346481760651656776120017173080967273017308100880911730810355360173081116598617308129737681730814164728″][vc_column_text uncode_shortcode_id=”636417″]<\/p>\n

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OCTOBER
\n<\/strong>Tuesday 7 | H 8 pm | Prime
\nThursday 9 | H 8 pm | Evening
\nSunday 12 | H 4 pm | Sunday<\/p>\n

<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-hourglass” gutter_size=”2″ column_padding=”2″ title=”DURATION” tab_id=”07a9ee9a-4419-1173080967273017308100880911730810355360173081116598617308129737681730814164728″][vc_column_text uncode_shortcode_id=”529721″]To be determined[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_column_text text_lead=”small” uncode_shortcode_id=”799083″]<\/p>\n

Each performance will be preceded by the performance of: <\/span><\/p>\n

ILDEBRANDO PIZZETTI
\n“For Sophocles’ Oedipus Rex.”<\/strong>
\nThree symphonic interludes for orchestra<\/strong><\/em>
\nORCHESTRA OF THE MUNICIPAL THEATER OF BOLOGNA<\/span>[\/vc_column_text][vc_button button_color=”color-192233″ size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ icon_position=”right” button_color_type=”uncode-palette” uncode_shortcode_id=”139921″ icon=”fa fa-search” link=”url:https%3A%2F%2Fwww.tcbo.it%2Fanteprima-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]2025 OPERA SEASON CALENDAR[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”curve-asym” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” bottom_divider=”curve-asym” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”190787″ back_color_type=”uncode-solid” overlay_color_type=”uncode-gradient” back_color_solid=”#a48bae”][vc_column width=”1\/1″][uncode_index el_id=”index-895002″ index_type=”carousel” loop=”size:All|order_by:date|post_type:portfolio|tax_query:297|taxonomy_count:10″ carousel_lg=”5″ carousel_md=”5″ carousel_sm=”2″ gutter_size=”3″ post_items=”media|featured|onpost|original,title,text|excerpt” page_items=”title,media|featured|onpost|original,text|excerpt” portfolio_items=”title,media|featured|onpost|original,text|excerpt” carousel_interval=”3000″ carousel_navspeed=”400″ carousel_nav=”yes” carousel_nav_mobile=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_h_align=”center” single_h_align_mobile=”center” single_padding=”2″ custom_order=”yes” popup_items=”title,media|featured|onpost|original,text|excerpt” order_ids=”97852,97846,97598,97631,97634,97642,97646,97657,100155,97660,97664,97678,97685″ uncode_shortcode_id=”661740″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][uncode_block id=”115061″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ <\/p><\/div>…","protected":false},"author":18,"featured_media":113743,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[93,496,519,530],"class_list":["post-116419","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-opera-en","portfolio_category-calendario-en","portfolio_category-2025-en","portfolio_category-opera-2025-en"],"acf":[],"yoast_head":"\nOedipus Rex from Oct. 7 to 12 at Municipal Nouveau<\/title>\n<meta name=\"description\" content=\"by Igor' F\u00ebdorovi\u010d Stravinsky, Oedipus discovers that he has killed his father and married his mother. 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