{"id":116468,"date":"2025-01-22T15:49:26","date_gmt":"2025-01-22T14:49:26","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/symphonic-season-2025-daniel-oren-conductor\/"},"modified":"2025-01-22T15:49:35","modified_gmt":"2025-01-22T14:49:35","slug":"symphonic-season-2025-daniel-oren-conductor","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/symphonic-season-2025-daniel-oren-conductor\/","title":{"rendered":"Symphonic Season 2025 | Daniel Oren, conductor"},"content":{"rendered":"

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All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
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SYMPHONIC SEASON 2025
\n<\/span><\/span><\/h3>\n

Daniel Oren director <\/em> <\/span><\/span><\/h2>\n

WAGNER | BRITTEN | \u010cAJKOVSKY<\/span><\/span><\/h4>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”122470″][vc_column_inner width=”1\/2″][vc_single_image media=”103283″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”387397″ media_overlay_color_type=”uncode-palette” media_link=”url:https%3A%2F%2Fwww.daniel-oren.com%2F%23!%2F”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”60″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”527282″][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”924414″ back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”162082″]<\/p>\n

APRIL 30 | H 8:30 P.M.
\n<\/span>Manzoni Auditorium<\/span><\/h4>\n

[\/vc_column_text][vc_button button_color=”color-742106″ radius=”btn-round” border_width=”0″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2F10-sinfonica-2025-oren%2F251892|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”557285″]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” border_width=”0″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2F10-sinfonica-2025-oren%2F251892|title:Symphonic%20Season%20Subscriptions%202025|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”127090″]SYMPHONY SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_column_text text_lead=”small” uncode_shortcode_id=”113023″]<\/p>\n

Main Partner<\/span><\/p>\n

[\/vc_column_text][vc_single_image media=”81171″ media_width_percent=”50″ alignment=”center” uncode_shortcode_id=”629709″ media_link=”url:https%3A%2F%2Fwww.intesasanpaolo.com”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”142988″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”162837″]<\/p>\n

PROGRAM<\/span><\/h4>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”198482″]<\/p>\n

Richard Wagner<\/i><\/span><\/span><\/h4>\n

“Siegfried Idyll,” WW 103<\/p>\n

Benjamin Britten<\/i><\/span><\/span><\/h4>\n

“Matin\u00e9es Musicales,<\/em> ” op. 24.<\/p>\n

Pyotr Il’i\u010d Tchaikovsky <\/i><\/span><\/span><\/h4>\n

Symphony No. 4 in F minor<\/em>, Op. 36<\/p>\n

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PROGRAM<\/span><\/h4>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”181142″]<\/p>\n

Richard Wagner<\/i><\/span><\/span><\/h4>\n

“Siegfried Idyll,” WW 103<\/strong><\/p>\n

“It will be difficult for me to find suitable words to express the feelings that your illustrious city has aroused.” So begin the five pages Wagner sent from Bayreuth on October 3, 1872, thanking the City of Bologna for its honorary citizenship. These obsequious words did not remain on paper. On December 4, 1876, Wagner and his wife Cosima Liszt arrived in the city, as they had promised. “In Bologna,” he confessed, “I found true friends, egregious people and a whole set of things that might have decided me to establish my domicile there, if it were not too late now. The idyll between Wagner and Bologna was sparked a couple of years after the other Idyll, that of Siegfried, first performed in the composer’s home, who with this piece wanted to celebrate the birthday of his wife Cosima, recently the mother of their son Siegfried. <\/span><\/p>\n

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Benjamin Britten<\/i><\/span><\/span><\/h4>\n

“Matin\u00e9es Musicales,<\/em> ” op. 24.<\/strong><\/p>\n

Paying affectionate homage to Rossini’s genius, in 1941 Benjamin Britten composed a brilliant Orchestral Suite, which begins precisely with motifs from the dances of the first act of William Tell. But the “Matin\u00e9es Musicales,” designed for a performance by the American Ballet Company, is more and better than just an exercise in style. Already from the Nocturne, with the dreamy figuration of the celesta, one grasps all of Britten’s orchestral skill, which in “Solfeggi e gorgheggi” even manages to reproduce Rossini’s famous crescendos, evoking them in all their overwhelming rhythmic force. <\/p>\n

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Pyotr Il’i\u010d Tchaikovsky <\/i><\/span><\/span><\/h4>\n

Symphony No. 4 in F minor<\/em>, Op. 36<\/strong><\/p>\n

His marriage to pupil Antonina Ivanovna Milukova, a self-imposed cover to silence rumors of his homosexuality, forces Tchaikovsky into a reckoning. Taking note of the wreckage of that union, the composer wanders from town to town concluding the Fourth Symphony. A letter to Baroness and patron Nadezda von Meck provides a useful interpretation for understanding the Symphony: the work opens by evoking a nefarious force capable of destroying the composer’s hopes for happiness, an invincible force that prevents prosperity and peace. As it continues, the mood of sadness and despair becomes increasingly acute, eventually veering into a forcibly joyful atmosphere, in which Fate has abruptly awakened from dreams and fleeting visions of happiness. More than a Symphony, a mirror: “In these pages,” Tchaikovsky writes, “is the truthful echo of what I was feeling. <\/p>\n

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PROGRAM<\/span><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”214123″][vc_column width=”1\/4″][vc_single_image media=”108713″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”204621″ media_overlay_color_type=”uncode-palette”][\/vc_column][vc_column width=”3\/4″][vc_column_text uncode_shortcode_id=”985107″]<\/p>\n

Overture, “Le Carnaval Romain”<\/i><\/span><\/span><\/h4>\n

In 1844 Hector Berlioz, among the great fathers of French Romanticism and one of the greatest innovators in the symphonic field, wrote a concert piece in A major with an extensive solo part reserved for the English horn. Thus was born the Overture “Le Carnaval romain,” a brilliant piece of broad melodic generosity, full of themes from the opera Benvenuto Cellini, composed six years earlier. <\/span>The themes of the opera used, in fact, are those related to the Roman carnival scenes from which the overture takes its title.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”152793″][vc_column width=”1\/4″][vc_single_image media=”66276″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”365291″ media_overlay_color_type=”uncode-palette”][\/vc_column][vc_column width=”3\/4″][vc_column_text uncode_shortcode_id=”650756″]<\/p>\n

“Pr\u00e8lude \u00e0 l’apr\u00e8s-midi d’un faune.”<\/em><\/span><\/h4>\n

The notes are released like sensual exhalations in “Pr\u00e9lude a l’apr\u00e8s-midi d’un faune” (1892-94) Claude Debussy’s first great symphonic masterpiece, which is immediately presented with its “new breath” (Pierre Boulez’s definition) thanks to the flute’s enigmatic opening phrase, “so full of voluptuousness as to become anguished,” Vladimir Jank\u00e9l\u00e9vitch’s words.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”154029″][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”233498″]<\/p>\n

ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA<\/span><\/h3>\n

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ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA<\/span><\/h3>\n

[\/vc_column_text][vc_single_image media=”105682″ media_width_percent=”76″ alignment=”center” uncode_shortcode_id=”337132″][vc_column_text text_lead=”small” uncode_shortcode_id=”103128″]<\/p>\n

An orchestra of great tradition, Sergiu Celibidache, Zolt\u00e1nPesk\u00f3, Vladimir Delman, Riccardo Chailly, Daniele Gatti, and Michele Mariotti have taken turns at its helm as music directors. Among the conductors who have led the ensemble are Gary Bertini, Myung-Whun Chung, James Conlon, Pinchas Steinberg, Valery Gergiev, Eliau Inbal, Vladimir Jurowskij, Daniel Oren, Peter Maag, Neville Marriner, Kurt Masur, Riccardo Muti, Mstislav Rostropovi\u010d, Esa Pekka Salonen, Georg Solti, Christian Thielemann, Charles Dutoit, Georges Pr\u00eatre. The Teatro Comunale Orchestra is frequently invited abroad (Holland, Romania, Spain, France and Switzerland) and has participated in prestigious festivals (Amsterdam 1987, Parma 1990, Wiesbaden 1994, Santander 2004 and 2008, Aix en Provence 2005, Savonlinna 2006, Macau 2013, Muscat 2015, Guanajuato in Mexico 2017, Paris 2018). A privileged relationship with Japan has resulted in several tours, most recently in June 2019 in Osaka, Tokyo, Yokohama, Fukuoka, with Rigoletto<\/i> and Il barbiere di Siviglia<\/i>. <\/p>\n

Numerous record productions, including La Favorita <\/i>diretta da Richard Bonynge, Oberto Conte di San Bonifacio<\/i> diretto da Zolt\u00e1n Pesk\u00f3, Il barbiere di Siviglia <\/i>diretto da Giuseppe Patan\u00e9, La figlia del reggimento<\/i> diretta da Bruno Campanella, Le maschere<\/i> e La boh\u00e8me<\/i> dirette da Gianluigi Gelmetti, La scala di seta<\/i> diretta da Gabriele Ferro, Macbeth<\/i>, Manon Lescaut<\/i>, Rigoletto<\/i>, La cenerentola, Messa Solenne <\/i>e le produzioni videografiche dei Vespri siciliani <\/i>e di Giovanna d\u2019Arco<\/i> e Werther<\/i> dirette da Riccardo Chailly, Armida<\/i> diretta da Daniele Gatti, Simon Boccanegra<\/i> e Attila <\/i>diretti da Michele Mariotti .<\/i><\/p>\n

The Orchestra, led by Mariotti, has recorded for Decca a CD of sacred arias with Juan Diego Fl\u00f3rez <\/i>and for Sony an album of romantic arias with Nino Machaidze; for Deutsche Grammophon Le Comte Ory<\/i> with Fl\u00f3rez<\/i> and La Nuit de Mai<\/i>, opera arias and songs by Leoncavallo, with Placido Domingo; and for the PENTATONE label a CD of Rossini overtures to celebrate 150 years since the composer’s death.In April 2021 the orchestra recorded for Deutsche Grammophon a forthcoming disc with tenor Benjamin Bernheim and Fr\u00e9d\u00e9ric Chaslin on the podium.<\/p>\n

Nel marzo 2013 i corpi artistici del Teatro Comunale di Bologna diretti da Mariotti sono stati protagonisti del concerto inaugurale del IV Festival internazionale Mstislav Rostropovich di Mosca eseguendo la Messa da Requiem<\/i> di Verdi. Poi nell\u2019ottobre del 2015 hanno inaugurato la rassegna Lingotto Musica presso l\u2019Auditorium Giovanni Agnelli di Torino, dove hanno eseguito lo Stabat Mater<\/i>, l\u2019Ouverture e le Danze dal Guillaume Tell<\/i> di Rossini. Inoltre, la nuova produzione della Boh\u00e8me <\/i>al Teatro Comunale, con la regia di Graham Vick e la direzione di Mariotti, ha vinto il Premio Abbiati come miglior spettacolo del 2018. <\/p>\n

After thirty years of participation in the Rossini Opera Festival (from 1988 to 2016), 2017 marked a new collaboration between the Municipal Theatre of Bologna and the Verdi Festival of Parma which, among the various productions, saw the Orchestra engaged in the Stiffelio<\/i> signed by Graham Vick. Staged at the Farnese Theatre, it achieved a great success with the public and critics by winning the Special Prize of the 37th “Franco Abbiati” Music Critics Award. In 2019 the Orchestra was the protagonist of the Verdi Festival in the Luisa Miller<\/i> at the church of San Francesco del Prato in Parma and in the Aida <\/i>at the Verdi Theatre in Busseto, while in 2020 of a symphonic concert conducted by Valerij Gergiev at the Teatro Regio in Parma. Since January 2022 the Musical Director of the Municipal Theatre of Bologna is Oksana Lyniv. <\/p>\n

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[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ <\/p><\/div>…","protected":false},"author":18,"featured_media":114006,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[495,519,524,526],"class_list":["post-116468","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-concerti-en","portfolio_category-2025-en","portfolio_category-season-2025","portfolio_category-symphony-2025"],"acf":[],"yoast_head":"\nSymphonic Season 2025 | Daniel Oren, conductor - Teatro Comunale di Bologna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tcbo.it\/en\/eventi\/symphonic-season-2025-daniel-oren-conductor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Symphonic Season 2025 | Daniel Oren, conductor\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″] Let’s talk about Opera | Opera Season 2025 LET’S TALK ABOUT “A MASQUERADE BALL” WITH LODO GUENZI [\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tcbo.it\/en\/eventi\/symphonic-season-2025-daniel-oren-conductor\/\" \/>\n<meta property=\"og:site_name\" content=\"Teatro Comunale di Bologna\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TeatroComunaleBologna\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-22T14:49:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tcbo.it\/wp-content\/uploads\/2024\/10\/oren-3004-1-1024x576.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ComunaleBologna\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tcbo.it\\\/en\\\/eventi\\\/symphonic-season-2025-daniel-oren-conductor\\\/\",\"url\":\"https:\\\/\\\/www.tcbo.it\\\/en\\\/eventi\\\/symphonic-season-2025-daniel-oren-conductor\\\/\",\"name\":\"Symphonic Season 2025 | Daniel Oren, conductor - 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