{"id":116476,"date":"2025-01-22T15:49:30","date_gmt":"2025-01-22T14:49:30","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/the-barber-of-seville\/"},"modified":"2025-02-16T18:50:43","modified_gmt":"2025-02-16T17:50:43","slug":"the-barber-of-seville","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/the-barber-of-seville\/","title":{"rendered":"The Barber of Seville"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”60″ back_image=”113804″ back_repeat=”no-repeat” back_attachment=”scroll” back_position=”center center” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”162886″ back_size=”cover”][vc_column column_width_percent=”50″ position_vertical=”bottom” align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”2″ font_family=”font-180609″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”170666″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”60″ back_image=”113735″ back_repeat=”no-repeat” back_attachment=”scroll” back_position=”center center” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”660091″ back_size=”cover”][vc_column column_width_percent=”50″ position_vertical=”bottom” align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”2″ font_family=”font-180609″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”170666″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”114459″][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”159538″]

All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div>BUY YOUR TICKET<\/a><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div>BUY YOUR TICKET<\/a><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div>BUY YOUR TICKET<\/a><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”25″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”2″ z_index=”1″ enable_top_divider=”default” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ uncode_shortcode_id=”569857″ row_height_pixel=”100″ back_color_type=”uncode-solid” back_color_solid=”#5b3520″][vc_column column_width_percent=”80″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”0″ back_color=”color-xsdn” overlay_alpha=”75″ shift_x=”0″ shift_y=”-2″ shift_y_down=”-1″ z_index=”2″ medium_width=”0″ mobile_width=”0″ shadow=”sm” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”157802″ back_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”811325″ limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”29″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ radius=”lg” width=”1\/1″ uncode_shortcode_id=”128115″][vc_custom_heading text_font=”font-168876″ uncode_shortcode_id=”200748″]<\/p>\n

2025 OPERA SEASON<\/span><\/span><\/h3>\n

The Barber of Seville<\/span><\/span><\/h1>\n

(Almaviva, or the unnecessary precaution).<\/span><\/em><\/h4>\n

Gioachino Rossini<\/span><\/h4>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”917014″][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”-1″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”2\/3″ uncode_shortcode_id=”189397″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”100645″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”100″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”111171″ back_color_type=”uncode-palette”][vc_custom_heading uncode_shortcode_id=”688226″]<\/p>\n

Dec. 19 to 30<\/span>
\n<\/span><\/strong><\/p>\n

MUNICIPAL NOUVEAU<\/strong><\/span><\/p>\n

(Constitution Square, 4)<\/span><\/p>\n

[\/vc_custom_heading][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”265597″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Fil-barbiere-di-siviglia%2F241868|title:Opera%20Season%202025|target:_blank|”]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”468752″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fabbonamenti-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]OPERA SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”187839″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_color=”color-gyho” overlay_alpha=”85″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”174133″ overlay_color_type=”uncode-palette” back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”508988″]On debut a solemn fiasco, then an endless success. At least that’s what a blossoming of anecdotes about incidents and conspiracies that actually find no reliable historical evidence has led us to believe. A few skirmishes between rival impresarios, in Rome in 1816 around Rossini’s premieres, were there, but nothing too serious. The play was born so perfect that it was destined for triumph and such popularity that it ended up sometimes even scrambling it a bit. On the other hand, it is the wily Rossini first who misleads us: the plot is one of the oldest in the world (a greedy old man holds a young girl in his power, saved by the love of a peer and a shrewd helper), and we are invited to think that, with their deft self introductions, it is Figaro and Rosina who are the engines of the action. In reality it is the Count d’Almaviva who moves the ranks with gold and his position, but almost always in disguise. Image publicity, money and power: is it possible to imagine a more modern opera? <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”212632″ back_color_type=”uncode-palette”][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”141325″ back_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”507857″]<\/p>\n

Dramma comico in two acts
\nLibretto by Cesare Sterbini
\nMusic by Gioachino Rossini<\/h6>\n

On debut a solemn fiasco, then an endless success. At least that’s what a blossoming of anecdotes about incidents and conspiracies that actually find no reliable historical evidence has led us to believe. A few skirmishes between rival impresarios, in Rome in 1816 around Rossini’s premieres, were there, but nothing too serious. The play was born so perfect that it was destined for triumph and such popularity that it ended up sometimes even scrambling it a bit. On the other hand, it is the wily Rossini first who misleads us: the plot is one of the oldest in the world (a greedy old man holds a young girl in his power, saved by the love of a peer and a shrewd helper), and we are invited to think that, with their deft self introductions, it is Figaro and Rosina who are the engines of the action. In reality it is the Count d’Almaviva who moves the ranks with gold and his position, but almost always in disguise. Image publicity, money and power: is it possible to imagine a more modern opera? <\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”176309″][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”581831″]<\/p>\n

Director<\/span><\/h4>\n

[\/vc_column_text][vc_single_image media=”112784″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”h6″ media_link=”url:https%3A%2F%2Fwww.renatopalumbo.com|target:_blank|rel:nofollow” uncode_shortcode_id=”350704″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”726648″]<\/p>\n

Directing<\/span><\/h4>\n

[\/vc_column_text][vc_single_image media=”65257″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”h6″ media_link=”url:https%3A%2F%2Fwww.federicograzzini.it|target:_blank|rel:nofollow” uncode_shortcode_id=”596944″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”172268″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”795991″]<\/p>\n

DIRECTOR<\/span>
\nRenato Palumbo<\/strong><\/span><\/h4>\n

DIRECTOR<\/span>
\nFederico Grazzini<\/strong><\/span><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”508173″]<\/p>\n

A production of the Teatro Comunale di Bologna<\/span>
\n<\/span><\/h4>\n

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Main Characters and Performers<\/span><\/h4>\n

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THE COUNT OF ALMAVIVA<\/p>\n

[\/vc_column_text][vc_single_image media=”112785″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fdave-monaco-a48756%2Fit|rel:nofollow” uncode_shortcode_id=”139341″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”435418″]<\/p>\n

19 | 21 | 27 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”154385″]<\/p>\n

THE COUNT OF ALMAVIVA<\/p>\n

[\/vc_column_text][vc_single_image media=”88665″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fpierluigi-daloia-a100348%2Fit|rel:nofollow” uncode_shortcode_id=”213203″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”139532″]<\/p>\n

20 | 28 | 30 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”507988″][vc_column_text uncode_shortcode_id=”166026″]<\/p>\n

BARTOLO<\/p>\n

[\/vc_column_text][vc_single_image media=”113497″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.paolobordogna.com|rel:nofollow” uncode_shortcode_id=”111794″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”315158″]<\/p>\n

19 | 21 | 27 DEC.<\/p>\n

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BARTOLO<\/p>\n

[\/vc_column_text][vc_single_image media=”113724″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fgiovanni-romeo-a6314%2Fit|rel:nofollow” uncode_shortcode_id=”153708″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”956589″]<\/p>\n

20 | 28 | 30 DEC.<\/p>\n

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ROSINA<\/p>\n

[\/vc_column_text][vc_single_image media=”100842″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Faya-wakizono-a23236%2Fit|rel:nofollow” uncode_shortcode_id=”108469″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”514830″]<\/p>\n

19 | 21 | 27 DEC.<\/p>\n

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ROSINA<\/p>\n

[\/vc_column_text][vc_single_image media=”100845″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fchiara-tirotta-a31360%2Fen|rel:nofollow” uncode_shortcode_id=”153077″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”446443″]<\/p>\n

20 | 28 | 30 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”183307″]<\/p>\n

FIGARO<\/p>\n

[\/vc_column_text][vc_single_image media=”56869″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fnicola-alaimo-a13060%2Fit|rel:nofollow” uncode_shortcode_id=”188481″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”133329″]<\/p>\n

19 | 21 | 27 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”183307″]<\/p>\n

FIGARO<\/p>\n

[\/vc_column_text][vc_single_image media=”113725″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fstefan-astakhov-a90465%2Fen|rel:nofollow” uncode_shortcode_id=”992998″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”161961″]<\/p>\n

20 | 28 | 30 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”548120″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”160970″]<\/p>\n

BASILE<\/p>\n

[\/vc_column_text][vc_single_image media=”113726″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:http%3A%2F%2Fmichelepertusi.com|rel:nofollow” uncode_shortcode_id=”373656″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”122165″]<\/p>\n

19 | 27 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”160970″]<\/p>\n

BASILE<\/p>\n

[\/vc_column_text][vc_single_image media=”113550″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fandrea-pellegrini-a24878%2Fit|rel:nofollow” uncode_shortcode_id=”151288″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”171551″]<\/p>\n

20 | 21 | 28 | 30 DEC.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”507988″][vc_column_text uncode_shortcode_id=”869230″]<\/p>\n

BERTA<\/p>\n

[\/vc_column_text][vc_single_image media=”96315″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fyulia-tkachenko-a107233%2Fen|rel:nofollow” uncode_shortcode_id=”148220″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”376196″]<\/p>\n

FLOWER<\/p>\n

[\/vc_column_text][vc_single_image media=”102421″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fnicolo-ceriani-a13137%2Fit|rel:nofollow” uncode_shortcode_id=”177472″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”172268″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”147515″]<\/p>\n

THE COUNT OF ALMAVIVA
\nDave Monaco\/Pierluigi D’Aloia*<\/strong><\/p>\n

BARTOLO
\nPaolo Bordogna\/Giovanni Romeo*<\/strong><\/p>\n

ROSINA
\nAyaWakizono\/Chiara Tirotta*<\/strong><\/p>\n

FIGARO
\nNicola Alaimo\/Stefan Astakhov*<\/strong>.<\/p>\n

BASILIO
\nMichele Pertusi\/Andrea Pellegrini\u00b0<\/strong><\/p>\n

BERTA
\nYuliaTkachenko<\/strong><\/p>\n

FLOWER
\nNicolo Ceriani<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”179616″][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”127131″]<\/p>\n

SCENE
\nFederica Parolini<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”158948″]<\/p>\n

COSTUMES
\nSilvia Aymonino<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”131474″]<\/p>\n

LUCI
\nAlessandro Verazzi<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” uncode_shortcode_id=”204524″][vc_column_text uncode_shortcode_id=”156779″]<\/p>\n

Author<\/span><\/h4>\n

[\/vc_column_text][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”35″ equal_height=”yes” gutter_size=”3″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”triangle” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” bottom_divider=”triangle” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ limit_content=”” uncode_shortcode_id=”176003″ back_color_type=”uncode-solid” back_color_solid=”#557b90″][vc_column_inner column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ radius=”xl” width=”1\/4″ uncode_shortcode_id=”136449″][vc_single_image media=”54419″ media_width_percent=”60″ alignment=”center” shape=”img-circle” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”||target:%20_blank|rel:nofollow” uncode_shortcode_id=”584530″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ style=”dark” back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”3\/4″ uncode_shortcode_id=”571780″ back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”121685″]<\/p>\n

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(1792-1868) famous for his brilliant and lively operas, the most famous of which include “Il barbiere di Siviglia,” “La Cenerentola,” and “William Tell.” Known for his catchy melodies and brilliant orchestral style, Rossini profoundly influenced 19th-century comic and serious opera. His innovative use of form and rhythm, together with his talent for writing memorable arias and ensembles, left an indelible mark on the history of music. <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”140551″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”163285″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-xsdn” overlay_alpha=”100″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”196304″ back_color_type=”uncode-palette”][vc_custom_heading uncode_shortcode_id=”175240″]<\/p>\n

19 | 20 | 21 | 27 | 28 | 30 December<\/span>
\n<\/span><\/strong><\/h4>\n
MUNICIPAL NOUVEAU <\/strong><\/span><\/h5>\n
(Constitution Square, 4)<\/span><\/h5>\n

[\/vc_custom_heading][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”265597″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Fil-barbiere-di-siviglia%2F241868|title:Opera%20Season%202025|target:_blank|”]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”468752″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fabbonamenti-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]OPERA SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab icon=”fa fa-text-align-justify” gutter_size=”3″ column_padding=”2″ title=”Shifts” tab_id=”085e0cd9-b636-51634648176065165677612001717308096727301730810088091173081035536017308111659861730812973768173081416472817308144138241730815817427″][vc_column_text uncode_shortcode_id=”148931″]<\/p>\n

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DECEMBER
\n<\/strong>Friday 19th | H 8 p.m. | Prime
\nSaturday 20th* | H 6 p.m. | Afternoon 1
\nSunday 21st | H 4 p.m. | Sunday
\nSaturday 27th | H 8 p.m. | Evening
\nSunday 28th* | H 4 p.m. | Out of subscription
\nTuesday 30th* | H 6 p.m. | Afternoon 2<\/p>\n

\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-hourglass” gutter_size=”2″ column_padding=”2″ title=”DURATION” tab_id=”07a9ee9a-4419-117308096727301730810088091173081035536017308111659861730812973768173081416472817308144138241730815817427″][vc_column_text uncode_shortcode_id=”529721″]To be determined[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_button button_color=”color-192233″ size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ icon_position=”right” button_color_type=”uncode-palette” uncode_shortcode_id=”139921″ icon=”fa fa-search” link=”url:https%3A%2F%2Fwww.tcbo.it%2Fanteprima-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]2025 OPERA SEASON CALENDAR[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”curve-asym” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” bottom_divider=”curve-asym” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”179752″ back_color_type=”uncode-solid” overlay_color_type=”uncode-gradient” back_color_solid=”#bbdbb6″][vc_column width=”1\/1″][uncode_index el_id=”index-895002″ index_type=”carousel” loop=”size:All|order_by:date|post_type:portfolio|tax_query:297|taxonomy_count:10″ carousel_lg=”5″ carousel_md=”5″ carousel_sm=”2″ gutter_size=”3″ post_items=”media|featured|onpost|original,title,text|excerpt” page_items=”title,media|featured|onpost|original,text|excerpt” popup_items=”title,media|featured|onpost|original,text|excerpt” portfolio_items=”title,media|featured|onpost|original,text|excerpt” carousel_interval=”3000″ carousel_navspeed=”400″ carousel_nav=”yes” carousel_nav_mobile=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_h_align=”center” single_h_align_mobile=”center” single_padding=”2″ custom_order=”yes” order_ids=”97852,97846,97598,97631,97634,97642,97646,97657,100155,97660,97664,97678,97685″ uncode_shortcode_id=”661740″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][uncode_block id=”115061″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ <\/p><\/div>…","protected":false},"author":18,"featured_media":113762,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[93,496,519,530],"class_list":["post-116476","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-opera-en","portfolio_category-calendario-en","portfolio_category-2025-en","portfolio_category-opera-2025-en"],"acf":[],"yoast_head":"\nThe Barber of Seville from December 19 to 30 Comunale Nouveau<\/title>\n<meta name=\"description\" content=\"by Gioachino Rossini, Figaro, a cunning barber, helps Count Almaviva win Rosina. Amid deception and disguise, love triumphs.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tcbo.it\/en\/eventi\/the-barber-of-seville\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Barber of Seville Dec. 19-30 at Comunale Nouveau\" \/>\n<meta property=\"og:description\" content=\"by Gioachino Rossini, Figaro, a cunning barber, helps Count Almaviva win Rosina. 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