{"id":116507,"date":"2025-01-22T15:49:46","date_gmt":"2025-01-22T14:49:46","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor\/"},"modified":"2025-01-22T15:50:09","modified_gmt":"2025-01-22T14:50:09","slug":"symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor\/","title":{"rendered":"Symphonic Season 2025 | Inauguration Respighi Festival – Zubin Mehta conductor"},"content":{"rendered":"

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Opera 2026 | Roberto Devereux<\/h3>
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Opera 2026 | Roberto Devereux<\/h3>
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Concerts 2026 | Joy – Symphony No. 4<\/h3>
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<\/div><\/a>
25<\/div>
May<\/div>
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Concerts 2026 | Symphony – Foron<\/h3>
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<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
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Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
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13<\/div>
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Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
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14<\/div>
June<\/div>
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Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
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16<\/div>
June<\/div>
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Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
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Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
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25<\/div>
June<\/div>
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Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
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SYMPHONIC SEASON 2025
\n<\/span><\/span><\/h3>\n

Zubin Mehta conductor <\/em> <\/span><\/span><\/h2>\n

Inauguration Respighi Festival<\/span><\/span>
\n<\/em><\/span><\/h3>\n

Respighi | stravinsky<\/span><\/span><\/h4>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”122470″][vc_column_inner width=”1\/2″][vc_single_image media=”113566″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”171246″ media_overlay_color_type=”uncode-palette” media_link=”url:https%3A%2F%2Fwww.zubinmehta.net”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image media=”114107″ media_width_percent=”50″ alignment=”center” uncode_shortcode_id=”794677″][vc_single_image media=”65987″ media_width_percent=”50″ alignment=”center” uncode_shortcode_id=”205362″ media_link=”url:https%3A%2F%2Fwww.musicainsiemebologna.it”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”60″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”527282″][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”924414″ back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”152464″]<\/p>\n

FESTIVAL RESPIGHI BOLOGNA – IV EDITION
\n<\/span>INAUGURAL CONCERT IN COLLABORATION WITH MUSICA INSIEME<\/span><\/h6>\n

SEPT. 21 | H 8:30 P.M.
\n<\/span>Manzoni Auditorium<\/span><\/h4>\n

[\/vc_column_text][vc_button button_color=”color-742106″ radius=”btn-round” border_width=”0″ link=”url:https%3A%2F%2Fwww.vivaticket.com%2Fit%2Fticket%2Fstagione-sinfonica-2025%2F251870%3Fculture%3Dit-it|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”114753″]TICKETS AVAILABLE JAN. 16[\/vc_button][vc_column_text text_lead=”small” uncode_shortcode_id=”714027″]<\/p>\n

EXTRAORDINARY CONCERT<\/strong><\/span><\/p>\n

Subscribers to the Bologna Municipal Theater’s 2025 Symphonic Season<\/strong> and Musica Insieme<\/strong> are given priority on purchase (up to two tickets), during the period from October 29 to January 15, with a dedicated discount as listed in the table.<\/span><\/span><\/em><\/p>\n

See the price table<\/a><\/strong><\/span><\/h6>\n

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PROGRAM<\/span><\/h4>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”123475″]<\/p>\n

Ottorino Respighi<\/i><\/span><\/span><\/h4>\n

Ancient Arias and<\/em> Dances, Suite No. 3<\/p>\n

The pines of Rome<\/em><\/p>\n

Igor’ Fyodorovich Stravinsky<\/i><\/span><\/span><\/h4>\n

The Spring Festival<\/em><\/p>\n

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PROGRAM<\/span><\/h4>\n

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Ottorino Respighi<\/i><\/span><\/span><\/h4>\n

Ancient Arias and<\/em> Dances, Suite No. 3<\/strong><\/p>\n

When he died in 1936, Ottorino Respighi had left behind all kinds of music. But only his three Suites inspired by ancient Italian themes for lute had occupied such a long compositional span, from 1916 to 1931, a sign of a deep interest cultivated in parallel with his larger-scale compositions. Respighi’s love of sixteenth-seventeenth-century music is most evident in these festive and inspired pages, where the transcription is never a mere exercise in style, but an attempt to combine the ancient with the modern in a fresh and brilliant way. In doing so, Respighi rediscovered such rare pieces as a Gagliarda by Vincenzo Galilei, Galileo’s father, or the Ballet “Count Orlando” by the Genoese Simone Molinaro, one of the greatest lutenists of the late 16th century. Respighi was a voracious hunter of early music, and his research, even when he settled permanently in Rome, did not leave his Bologna behind: that is why the Third Suite features a Passacaglia by Lodovico Roncalli, a musician from Bergamo who lived in Bologna in the late 17th century. <\/p>\n

The pines of Rome<\/em><\/strong><\/p>\n

In Respighi we find immersive sensory visions, a fairy-tale world that becomes a source of mysterious and imaginative theatrical inventions. In the “Pines of Rome,” the second page of the Roman Trilogy written between 1916 and 1926, the world’s most widely performed composer from Bologna puts to good use and brings to surprising new heights the lessons of Rimsky-Korsakov, obtained during his stay in St. Petersburg as first viola of the imperial orchestra. But in the “Pines” the main currents of European musical culture are also absorbed. The Valle Giulia fountain is reminiscent of Smetana’s “Vltava,” the Trevi fountain seems to echo Debussy’s “La Mer,” while the spirit of the “Rite of Spring” is all in the Circenses and Ottobrata. <\/p>\n

\n

Igor’ Fyodorovich Stravinsky<\/i><\/span><\/span><\/h4>\n

The Spring Festival<\/em><\/strong><\/p>\n

Perhaps no debut in the history of music has had such a stormy outcome as the one that accompanied Stravinsky’s “Sacre” in Paris, where on May 29, 1913, an uproar broke out among the audience, divided between fierce accusers and admiring supporters of the ballet’s audacious harmonic solutions. The world of Romantic passions here waned precipitously, overwhelmed by a new way of resolving the musical discourse, no longer entrusted to the unfolding of an idea or theme, but carried on by rhythmic blocks interrupted from time to time by traditional Russian chants, which lend the scene an aura of mysterious pagan sacredness. But after more than 110 years, the Sagra retains intact its ability to convey to the listener, even in the complexity of its construction, a direct and spontaneous musical message. <\/span><\/p>\n

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PROGRAM<\/span><\/h4>\n

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Overture, “Le Carnaval Romain”<\/i><\/span><\/span><\/h4>\n

In 1844 Hector Berlioz, among the great fathers of French Romanticism and one of the greatest innovators in the symphonic field, wrote a concert piece in A major with an extensive solo part reserved for the English horn. Thus was born the Overture “Le Carnaval romain,” a brilliant piece of broad melodic generosity, full of themes from the opera Benvenuto Cellini, composed six years earlier. <\/span>The themes of the opera used, in fact, are those related to the Roman carnival scenes from which the overture takes its title.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”152793″][vc_column width=”1\/4″][vc_single_image media=”66276″ media_width_percent=”35″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ uncode_shortcode_id=”365291″ media_overlay_color_type=”uncode-palette”][\/vc_column][vc_column width=”3\/4″][vc_column_text uncode_shortcode_id=”650756″]<\/p>\n

“Pr\u00e8lude \u00e0 l’apr\u00e8s-midi d’un faune.”<\/em><\/span><\/h4>\n

The notes are released like sensual exhalations in “Pr\u00e9lude a l’apr\u00e8s-midi d’un faune” (1892-94) Claude Debussy’s first great symphonic masterpiece, which is immediately presented with its “new breath” (Pierre Boulez’s definition) thanks to the flute’s enigmatic opening phrase, “so full of voluptuousness as to become anguished,” Vladimir Jank\u00e9l\u00e9vitch’s words.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”gradient” bottom_divider=”gradient” desktop_visibility=”yes” medium_visibility=”yes” uncode_shortcode_id=”154029″][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”233498″]<\/p>\n

ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA<\/span><\/h3>\n

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ORCHESTRA DEL TEATRO COMUNALE DI BOLOGNA<\/span><\/h3>\n

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An orchestra of great tradition, Sergiu Celibidache, Zolt\u00e1nPesk\u00f3, Vladimir Delman, Riccardo Chailly, Daniele Gatti, and Michele Mariotti have taken turns at its helm as music directors. Among the conductors who have led the ensemble are Gary Bertini, Myung-Whun Chung, James Conlon, Pinchas Steinberg, Valery Gergiev, Eliau Inbal, Vladimir Jurowskij, Daniel Oren, Peter Maag, Neville Marriner, Kurt Masur, Riccardo Muti, Mstislav Rostropovi\u010d, Esa Pekka Salonen, Georg Solti, Christian Thielemann, Charles Dutoit, Georges Pr\u00eatre. The Teatro Comunale Orchestra is frequently invited abroad (Holland, Romania, Spain, France and Switzerland) and has participated in prestigious festivals (Amsterdam 1987, Parma 1990, Wiesbaden 1994, Santander 2004 and 2008, Aix en Provence 2005, Savonlinna 2006, Macau 2013, Muscat 2015, Guanajuato in Mexico 2017, Paris 2018). A privileged relationship with Japan has resulted in several tours, most recently in June 2019 in Osaka, Tokyo, Yokohama, Fukuoka, with Rigoletto<\/i> and Il barbiere di Siviglia<\/i>. <\/p>\n

Numerous record productions, including La Favorita <\/i>diretta da Richard Bonynge, Oberto Conte di San Bonifacio<\/i> diretto da Zolt\u00e1n Pesk\u00f3, Il barbiere di Siviglia <\/i>diretto da Giuseppe Patan\u00e9, La figlia del reggimento<\/i> diretta da Bruno Campanella, Le maschere<\/i> e La boh\u00e8me<\/i> dirette da Gianluigi Gelmetti, La scala di seta<\/i> diretta da Gabriele Ferro, Macbeth<\/i>, Manon Lescaut<\/i>, Rigoletto<\/i>, La cenerentola, Messa Solenne <\/i>e le produzioni videografiche dei Vespri siciliani <\/i>e di Giovanna d\u2019Arco<\/i> e Werther<\/i> dirette da Riccardo Chailly, Armida<\/i> diretta da Daniele Gatti, Simon Boccanegra<\/i> e Attila <\/i>diretti da Michele Mariotti .<\/i><\/p>\n

The Orchestra, led by Mariotti, has recorded for Decca a CD of sacred arias with Juan Diego Fl\u00f3rez <\/i>and for Sony an album of romantic arias with Nino Machaidze; for Deutsche Grammophon Le Comte Ory<\/i> with Fl\u00f3rez<\/i> and La Nuit de Mai<\/i>, opera arias and songs by Leoncavallo, with Placido Domingo; and for the PENTATONE label a CD of Rossini overtures to celebrate 150 years since the composer’s death.In April 2021 the orchestra recorded for Deutsche Grammophon a forthcoming disc with tenor Benjamin Bernheim and Fr\u00e9d\u00e9ric Chaslin on the podium.<\/p>\n

Nel marzo 2013 i corpi artistici del Teatro Comunale di Bologna diretti da Mariotti sono stati protagonisti del concerto inaugurale del IV Festival internazionale Mstislav Rostropovich di Mosca eseguendo la Messa da Requiem<\/i> di Verdi. Poi nell\u2019ottobre del 2015 hanno inaugurato la rassegna Lingotto Musica presso l\u2019Auditorium Giovanni Agnelli di Torino, dove hanno eseguito lo Stabat Mater<\/i>, l\u2019Ouverture e le Danze dal Guillaume Tell<\/i> di Rossini. Inoltre, la nuova produzione della Boh\u00e8me <\/i>al Teatro Comunale, con la regia di Graham Vick e la direzione di Mariotti, ha vinto il Premio Abbiati come miglior spettacolo del 2018. <\/p>\n

After thirty years of participation in the Rossini Opera Festival (from 1988 to 2016), 2017 marked a new collaboration between the Municipal Theatre of Bologna and the Verdi Festival of Parma which, among the various productions, saw the Orchestra engaged in the Stiffelio<\/i> signed by Graham Vick. Staged at the Farnese Theatre, it achieved a great success with the public and critics by winning the Special Prize of the 37th “Franco Abbiati” Music Critics Award. In 2019 the Orchestra was the protagonist of the Verdi Festival in the Luisa Miller<\/i> at the church of San Francesco del Prato in Parma and in the Aida <\/i>at the Verdi Theatre in Busseto, while in 2020 of a symphonic concert conducted by Valerij Gergiev at the Teatro Regio in Parma. Since January 2022 the Musical Director of the Municipal Theatre of Bologna is Oksana Lyniv. <\/p>\n

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[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ <\/p><\/div>…","protected":false},"author":18,"featured_media":114012,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[519],"class_list":["post-116507","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-2025-en"],"acf":[],"yoast_head":"\nSymphonic Season 2025 | Inauguration Respighi Festival - Zubin Mehta conductor - Teatro Comunale di Bologna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tcbo.it\/en\/eventi\/symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Symphonic Season 2025 | Inauguration Respighi Festival - Zubin Mehta conductor\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″] Let’s talk about Opera | Opera Season 2025 LET’S TALK ABOUT “A MASQUERADE BALL” WITH LODO GUENZI [\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tcbo.it\/en\/eventi\/symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor\/\" \/>\n<meta property=\"og:site_name\" content=\"Teatro Comunale di Bologna\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TeatroComunaleBologna\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-22T14:50:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tcbo.it\/wp-content\/uploads\/2024\/10\/mehta-2109-1-1024x576.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ComunaleBologna\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tcbo.it\\\/en\\\/eventi\\\/symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor\\\/\",\"url\":\"https:\\\/\\\/www.tcbo.it\\\/en\\\/eventi\\\/symphonic-season-2025-inauguration-respighi-festival-zubin-mehta-conductor\\\/\",\"name\":\"Symphonic Season 2025 | Inauguration Respighi Festival - 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