{"id":116693,"date":"2025-01-29T17:10:42","date_gmt":"2025-01-29T16:10:42","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/a-masquerade-ball\/"},"modified":"2025-02-16T18:43:52","modified_gmt":"2025-02-16T17:43:52","slug":"a-masquerade-ball","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/a-masquerade-ball\/","title":{"rendered":"A Masquerade Ball"},"content":{"rendered":"

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All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
18<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”25″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”0″ gutter_size=”3″ column_width_percent=”100″ shift_y=”2″ z_index=”1″ enable_top_divider=”default” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ uncode_shortcode_id=”120562″ row_height_pixel=”100″ back_color_type=”uncode-solid” back_color_solid=”#344e25″][vc_column column_width_percent=”80″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”0″ back_color=”color-xsdn” overlay_alpha=”75″ shift_x=”0″ shift_y=”-2″ shift_y_down=”-1″ z_index=”2″ medium_width=”0″ mobile_width=”0″ shadow=”sm” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”157802″ back_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”811325″ limit_content=””][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”29″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ radius=”lg” width=”1\/1″ uncode_shortcode_id=”128115″][vc_custom_heading text_font=”font-168876″ uncode_shortcode_id=”717990″]<\/p>\n

2025 OPERA SEASON<\/span><\/span><\/h3>\n

A MASQUERADE BALL<\/span><\/span><\/h1>\n

Giuseppe Verdi<\/span><\/h4>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”40″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”917014″][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”-1″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”2\/3″ uncode_shortcode_id=”189397″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”785320″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”100″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”111171″ back_color_type=”uncode-palette”][vc_custom_heading uncode_shortcode_id=”213094″]<\/p>\n

April 13 to 19<\/span>
\n<\/span><\/h4>\n

MUNICIPAL NOUVEAU<\/span><\/h4>\n
(Constitution Square, 4)<\/span><\/h6>\n

<\/h2>\n

[\/vc_custom_heading][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”125510″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Fun-ballo-in-maschera%2F241873|title:Opera%20Season%202025|target:_blank|”]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”468752″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fen%2Fopera-season-subscriptions-2025%2F|title:Opera%20Season%202025|target:_blank|”]OPERA SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”134269″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-lxmt” overlay_color=”color-gyho” overlay_alpha=”85″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”837962″ overlay_color_type=”uncode-palette” back_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”128545″]On January 14, 1858, Felice Orsini attends to the life of Napoleon III. This is not the time to stage a regicide: the Neapolitan censorship makes this clear to Verdi, who had his eyes (and pen, with librettist Antonio Somma) on the death of Gustavus III of Sweden during a masked ball. The project moves on to Rome (where it will debut in 1859), not without compromise: everything moves overseas and the king becomes count, governor of Boston. The drama of the man who has to reconcile his public image and the intimate ordeal of reciprocated but impossible love for his best friend’s wife, her torment between guilt and the furious grief of the doubly betrayed spouse, remain intact. The new setting, on the other hand, is not an afterthought, but creates an ideal context for an opera in which Verdi mixes brilliant lightnesses of French taste, the mysterious shadows of the soothsayer Ulrica or palace conspiracies, the nobility of intentions, and the fire of passions. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”978245″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”524637″ back_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”113081″]<\/p>\n

Melodrama in three acts
\nLibretto by Antonio Somma, from Gustave III, ou Le Bal masque by Eug\u00e8ne Scribe<\/span><\/span><\/h6>\n

On January 14, 1858, Felice Orsini attends to the life of Napoleon III. This is not the time to stage a regicide: the Neapolitan censorship makes this clear to Verdi, who had his eyes (and pen, with librettist Antonio Somma) on the death of Gustavus III of Sweden during a masked ball. The project moves on to Rome (where it will debut in 1859), not without compromise: everything moves overseas and the king becomes count, governor of Boston. The drama of the man who has to reconcile his public image and the intimate ordeal of reciprocated but impossible love for his best friend’s wife, her torment between guilt and the furious grief of the doubly betrayed spouse, remain intact. The new setting, on the other hand, is not an afterthought, but creates an ideal context for an opera in which Verdi mixes brilliant lightnesses of French taste, the mysterious shadows of the soothsayer Ulrica or palace conspiracies, the nobility of intentions, and the fire of passions. <\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”303874″][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”110584″]<\/p>\n

Director<\/span><\/h4>\n

[\/vc_column_text][vc_single_image media=”88661″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”h6″ media_link=”url:https%3A%2F%2Friccardofrizza.com|target:_blank|rel:nofollow” uncode_shortcode_id=”301934″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”142878″]<\/p>\n

Directing<\/span><\/h4>\n

[\/vc_column_text][vc_single_image media=”112745″ media_width_percent=”30″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”h6″ media_link=”url:https%3A%2F%2Fwww.danielemenghini.com|target:_blank|rel:nofollow” uncode_shortcode_id=”549653″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”950164″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”186262″]<\/p>\n

DIRECTOR<\/span>
\nRiccardo Frizza<\/strong><\/span><\/h4>\n

DIRECTOR<\/span>
\nDaniele Menghini<\/strong><\/span><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=”866489″]<\/p>\n

New Production of Teatro Comunale di Bologna with Teatro Regio di Parma and Fondazione Rete Lirica delle Marche<\/span><\/span><\/h5>\n

Orchestra, Chorus and Technicians of the Teatro Comunale di Bologna<\/strong>
\nCHORUS MASTER
\nGea Garatti Ansini<\/strong><\/span><\/span><\/span><\/p>\n

in collaboration for stage actions with the<\/span> Theater School of Bologna Alessandra Galante Garrone<\/strong><\/p>\n

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Main Characters and Performers<\/span><\/h5>\n

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RICCARDO<\/p>\n

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APR 13 | 16 | 19<\/p>\n

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RICCARDO<\/p>\n

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15 | 17 APR<\/p>\n

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RENATO<\/p>\n

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RENATO<\/p>\n

[\/vc_column_text][vc_single_image media=”113684″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fsebastian-catana-a15566%2Fit|rel:nofollow” uncode_shortcode_id=”131004″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”548120″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”419884″]<\/p>\n

AMELIA<\/p>\n

[\/vc_column_text][vc_single_image media=”112747″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fanastasia-bartoli-a100361%2Fit|rel:nofollow” uncode_shortcode_id=”156597″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”288220″]<\/p>\n

APR 13 | 16 | 19<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”419884″]<\/p>\n

AMELIA<\/p>\n

[\/vc_column_text][vc_single_image media=”91604″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.inartmanagement.com%2Fit%2Fartisti%2Ftorbidoni|rel:nofollow” uncode_shortcode_id=”171755″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”150626″]<\/p>\n

15 | 17 APR<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”191509″]<\/p>\n

ULRICA<\/p>\n

[\/vc_column_text][vc_single_image media=”112749″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fsilvia-beltrami-a15810%2Fit|rel:nofollow” uncode_shortcode_id=”185602″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”695843″]<\/p>\n

APR 13 | 16 | 19<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”191509″]<\/p>\n

ULRICA<\/p>\n

[\/vc_column_text][vc_single_image media=”75015″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:http%3A%2F%2Fchiaramogini.com|rel:nofollow” uncode_shortcode_id=”195664″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”198649″]<\/p>\n

15 | 17 APR<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” uncode_shortcode_id=”548120″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”193245″]<\/p>\n

SILVANO<\/p>\n

[\/vc_column_text][vc_single_image media=”111433″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fandrea-borghini-a21861%2Fit|rel:nofollow” uncode_shortcode_id=”414536″ media_overlay_color_type=”uncode-palette”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”687611″]<\/p>\n

OSCAR<\/p>\n

[\/vc_column_text][vc_single_image media=”107837″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.inartmanagement.com%2Fit%2Fartisti%2Ftorbidoni|rel:nofollow” uncode_shortcode_id=”203783″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”141746″]<\/p>\n

APR 13 | 16 | 19<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”399926″]<\/p>\n

OSCAR<\/p>\n

[\/vc_column_text][vc_single_image media=”107833″ media_width_percent=”40″ alignment=”center” advanced=”yes” media_items=”title,media|original,description” media_text=”under” media_overlay_color=”color-xsdn” media_overlay_opacity=”25″ media_h_align=”center” media_padding=”1″ media_title_dimension=”fontsize-160000″ media_link=”url:https%3A%2F%2Fwww.operabase.com%2Fsilvia-beltrami-a15810%2Fit|rel:nofollow” uncode_shortcode_id=”211345″ media_overlay_color_type=”uncode-palette”][vc_column_text uncode_shortcode_id=”127137″]<\/p>\n

15 | 17 APR<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”172268″][vc_column_inner width=”1\/1″][vc_column_text uncode_shortcode_id=”695437″]<\/p>\n

ROICCARDO
\nFabio Sartori <\/strong>13 | 16 | 19 APR
\nMatteo Lippi15<\/strong>| 17 APR<\/p>\n

RENATO
\nAmartuvshin Enkhbat<\/strong>
\nSebastian Catana<\/strong><\/p>\n

AMELIA
\nAnastasia Bartoli <\/strong>13 | 16 | 19 APR
\nMarta Torbidoni <\/strong>15 | 17 APR<\/p>\n

ULRICA
\nSilvia Beltrami <\/strong>13 | 16 | 19 APR
\nChiara Mogini <\/strong>15 | 17 APR<\/p>\n

SILVANO
\nAndrea Borghini<\/strong><\/p>\n

OSCAR
\nSilvia Spessot <\/strong>13 | 16 | 19 APR
\nClaudia Ceraulo <\/strong>15 | 17 APR[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-group” uncode_shortcode_id=”225623″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”179616″][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”127131″]<\/p>\n

SCENE
\nFederica Parolini<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”158948″]<\/p>\n

COSTUMES
\nSilvia Aymonino<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”131474″]<\/p>\n

LUCI
\nAlessandro Verazzi<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”177473″ limit_content=””][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”114451″]<\/p>\n

SCENE
\nDavide Signorini<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”192790″]<\/p>\n

COSTUMES
\nNika Campisi<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”116771″]<\/p>\n

LUCI
\nGianni Bertoli<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” uncode_shortcode_id=”482189″][vc_column_text uncode_shortcode_id=”163913″]<\/p>\n

Author<\/span><\/h4>\n

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(1813-1901) one of Italy’s greatest opera composers. He wrote such masterpieces as “Rigoletto,” “Il trovatore,” “La traviata,” “Aida,” “Otello,” and “Falstaff.” His operas, characterized by intense emotions, powerful melodies and deep dramatic themes, revolutionized musical theater. Verdi influenced 19th-century Italian culture, becoming a symbol of the Risorgimento and leaving a musical legacy that profoundly marked world opera. <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”140551″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ mobile_visibility=”yes” limit_content=”” uncode_shortcode_id=”163285″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ back_color=”color-xsdn” overlay_alpha=”100″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ shadow=”xs” shadow_darker=”yes” width=”1\/1″ uncode_shortcode_id=”196304″ back_color_type=”uncode-palette”][vc_custom_heading uncode_shortcode_id=”194370″]<\/p>\n

April 13 | 15 | 16 | 17 | 19<\/span>
\n<\/span><\/h4>\n

MUNICIPAL NOUVEAU<\/span><\/h4>\n
(Constitution Square, 4)<\/span><\/h6>\n

<\/h2>\n

[\/vc_custom_heading][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”125510″ link=”url:https%3A%2F%2Ftcbo.vivaticket.it%2Fit%2Fevent%2Fun-ballo-in-maschera%2F241873|title:Opera%20Season%202025|target:_blank|”]BUY YOUR TICKET[\/vc_button][vc_button button_color=”color-742106″ radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-palette” uncode_shortcode_id=”468752″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fen%2Fopera-season-subscriptions-2025%2F|title:Opera%20Season%202025|target:_blank|”]OPERA SEASON 2025 SUBSCRIBERS[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_accordion sign=”plus” active_tab=”0″][vc_accordion_tab icon=”fa fa-text-align-justify” gutter_size=”3″ column_padding=”2″ title=”Shifts” tab_id=”085e0cd9-b636-516346481760651656776120017173080967273017308100880911730810355360″][vc_column_text uncode_shortcode_id=”253241″]<\/p>\n

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APRIL<\/strong>
\nSunday 13 | H 18.00 | Prime
\nTuesday 15* | H 18.00 | Afternoon 1
\nWednesday 16 | H 20.00 | Evening
\nThursday 17* | H 18.00 | Afternoon 2
\nSaturday 19 | H 16.00 | Sunday<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-hourglass” gutter_size=”2″ column_padding=”2″ title=”DURATION” tab_id=”07a9ee9a-4419-1173080967273017308100880911730810355360″][vc_column_text uncode_shortcode_id=”529721″]To be determined[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_button button_color=”color-192233″ size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ icon_position=”right” button_color_type=”uncode-palette” uncode_shortcode_id=”139921″ icon=”fa fa-search” link=”url:https%3A%2F%2Fwww.tcbo.it%2Fanteprima-stagione-opera-2025%2F|title:Opera%20Season%202025|target:_blank|”]2025 OPERA SEASON CALENDAR[\/vc_button][vc_column_text uncode_shortcode_id=”606735″]<\/p>\n

Presenting Partner<\/p>\n

[\/vc_column_text][vc_single_image media=”110559″ media_width_percent=”51″ alignment=”center” uncode_shortcode_id=”289488″ media_link=”url:https%3A%2F%2Fwww.marchesini.com%2Fit”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ enable_top_divider=”default” top_divider=”curve-asym” shape_top_h_use_pixel=”” shape_top_height=”150″ shape_top_opacity=”100″ shape_top_index=”0″ enable_bottom_divider=”default” bottom_divider=”curve-asym” shape_bottom_h_use_pixel=”” shape_bottom_height=”150″ shape_bottom_opacity=”100″ shape_bottom_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”190787″ back_color_type=”uncode-solid” overlay_color_type=”uncode-gradient” back_color_solid=”#a48bae”][vc_column width=”1\/1″][uncode_index el_id=”index-895002″ index_type=”carousel” loop=”size:All|order_by:date|post_type:portfolio|tax_query:297|taxonomy_count:10″ carousel_lg=”5″ carousel_md=”5″ carousel_sm=”2″ gutter_size=”3″ post_items=”media|featured|onpost|original,title,text|excerpt” page_items=”title,media|featured|onpost|original,text|excerpt” popup_items=”title,media|featured|onpost|original,text|excerpt” portfolio_items=”title,media|featured|onpost|original,text|excerpt” carousel_interval=”3000″ carousel_navspeed=”400″ carousel_nav=”yes” carousel_nav_mobile=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_h_align=”center” single_h_align_mobile=”center” single_padding=”2″ custom_order=”yes” order_ids=”97852,97846,97598,97631,97634,97642,97646,97657,100155,97660,97664,97678,97685″ uncode_shortcode_id=”661740″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][uncode_block id=”115061″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

[\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” limit_content=”” uncode_shortcode_id=”218726″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ back_color=”color-gyho” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ <\/p><\/div>…","protected":false},"author":18,"featured_media":113747,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[93,496,519,530],"class_list":["post-116693","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-opera-en","portfolio_category-calendario-en","portfolio_category-2025-en","portfolio_category-opera-2025-en"],"acf":[],"yoast_head":"\nA Masquerade Ball from April 13 to 19 Communal Nouveau<\/title>\n<meta name=\"description\" content=\"by Giuseppe Verdi, Riccardo loves Amelia, wife of his friend Renato. Amid betrayal and intrigue, jealousy culminates in a tragic murder.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tcbo.it\/en\/eventi\/a-masquerade-ball\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Masquerade Ball from April 13 to 19 at the Comunale Nouveau\" \/>\n<meta property=\"og:description\" content=\"by Giuseppe Verdi, Riccardo loves Amelia, wife of his friend Renato. 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