{"id":119938,"date":"2025-11-20T14:13:23","date_gmt":"2025-11-20T13:13:23","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/concerts-2026-joy-symphony-no-2\/"},"modified":"2026-01-15T16:32:00","modified_gmt":"2026-01-15T15:32:00","slug":"concerts-2026-joy-symphony-no-2","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/concerts-2026-joy-symphony-no-2\/","title":{"rendered":"Concerts 2026 | Joy – Symphony No. 2"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”197415″][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”505438″ css=”.vc_custom_1761565130867{padding-bottom: px !important;}”][vc_column_text text_lead=”yes” uncode_shortcode_id=”145178″]<\/p>\n

CONCERTI 2026 | GIOIA – Domenica con Beethoven<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_size=”fontsize-155944″ text_space=”fontspace-210350″ uncode_shortcode_id=”301749″]ROTEM NIR \/ FRANCESCO MARIA PARAZZOLI<\/span>[\/vc_custom_heading][vc_column_text text_lead=”yes” uncode_shortcode_id=”200803″]<\/p>\n

BLOCH<\/span><\/span> Prayer<\/em> per violoncello e orchestra<\/span>
\nVIVALDI Concerto in mi minore per violoncello e orchestra
\n<\/span><\/span>BEETHOVEN Sinfonia n. 2 in re maggiore, op. 36<\/span><\/span><\/h6>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ border_color=”color-uydo” border_style=”solid” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”197914″ css=”.vc_custom_1761318898573{border-left-width: 1px !important;padding-left: 10px !important;}” border_color_type=”uncode-palette”][vc_custom_heading text_size=”h3″ text_space=”fontspace-210350″ uncode_shortcode_id=”103890″]25 gennaio | H 11:00<\/span><\/p>\n

Auditorium Manzoni<\/span>[\/vc_custom_heading][vc_button radius=”btn-round” border_width=”0″ link=”url:https%3A%2F%2Fwww.vivaticket.com%2Fit%2Fticket%2Fbeethoven-sinfonia-n-2%2F289950|target:_blank|” button_color_type=”uncode-solid” uncode_shortcode_id=”140934″ button_color_solid=”#4bb599″]ACQUISTA IL TUO BIGLIETTO[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”3″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”115111″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”173916″][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”205629″][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”458602″ sep_color_type=”uncode-solid” sep_color_solid=”#eeab1e”][vc_column_text uncode_shortcode_id=”202884″]<\/p>\n

Direttore
\n<\/span>Rotem Nir<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”119848″ media_width_percent=”30″ uncode_shortcode_id=”138537″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”832058″][vc_separator sep_color=”” icon=”fa fa-user” icon_position=”left” uncode_shortcode_id=”342658″ sep_color_type=”uncode-solid” sep_color_solid=”#eeab1e”][vc_column_text uncode_shortcode_id=”158295″]<\/p>\n

Violoncello
\n<\/span><\/span>Francesco Maria Parazzoli<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”78023″ media_width_percent=”30″ uncode_shortcode_id=”174396″][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-file-text” icon_position=”left” uncode_shortcode_id=”170288″ sep_color_type=”uncode-solid” sep_color_solid=”#eeab1e”][vc_column_text uncode_shortcode_id=”114866″]<\/p>\n

Programma<\/strong><\/span><\/h4>\n

[\/vc_column_text][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”186280″][vc_column_text uncode_shortcode_id=”161669″]<\/p>\n

Antonio Vivaldi<\/h5>\n

[\/vc_column_text][vc_single_image media=”102299″ media_width_percent=”20″ uncode_shortcode_id=”988895″][vc_column_text text_lead=”small” uncode_shortcode_id=”208277″]<\/p>\n

Concerto in mi minore per violoncello e orchestra<\/h6>\n

Tra il Sei e il Settecento il violoncello iniziava a imporsi sulla scena musicale non pi\u00f9 solo come strumento di accompagnamento, ma anche come voce solista. Fu proprio Antonio Vivaldi a contribuire a valorizzare il violoncello, dedicandogli ben 27 concerti, oltre a un concerto con fagotto, uno per due violoncelli, varie opere con violoncello obbligato e nove sonate con basso continuo. Con queste opere, di immediata riconoscibilit\u00e0 per la vena ritmica tipicamente vivaldiana,\u00a0 <\/span>il Prete Rosso elev\u00f2 lo strumento a protagonista della musica del suo tempo, spianando la strada ai virtuosi successivi, dal bolognese Antonio Vandini fino a Luigi Boccherini.\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”954138″][vc_column_text uncode_shortcode_id=”688427″]<\/p>\n

Ernest Bloch<\/h5>\n

[\/vc_column_text][vc_single_image media=”119783″ media_width_percent=”20″ uncode_shortcode_id=”105257″][vc_column_text text_lead=”small” uncode_shortcode_id=”739215″]<\/p>\n

Prayer<\/em> per violoncello e orchestra<\/h6>\n

Nella musica dello svizzero-americano Ernest Bloch (1880-1959) converge un forte sentimento della natura e soprattutto l’intensa meditazione sull’anima della religiosit\u00e0 ebraica, come dimostra il ciclo di tre pezzi From Jewish Life <\/i>del 1924, scritto per violoncello e pianoforte e poi orchestrato in vari arrangiamenti. Il primo di questi brani, Prayer<\/i>, ha il sapore di un’intensa preghiera catturata all’interno di una sinagoga ashkenazita.\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”859819″][vc_column_text uncode_shortcode_id=”187819″]<\/p>\n

Ludwig van Beethoven<\/h5>\n

[\/vc_column_text][vc_single_image media=”57376″ media_width_percent=”20″ uncode_shortcode_id=”493276″][vc_column_text text_lead=”small” uncode_shortcode_id=”184584″]<\/p>\n

Sinfonia n. 2 in re maggiore op. 36<\/h6>\n

Tra la fine della composizione della Seconda Sinfonia e la sua prima apparizione pubblica, Beethoven cammin\u00f2 sull’orlo dell’abisso, tra delusioni affettive e i primi sintomi di sordit\u00e0: erano i mesi disperati del \u201cTestamento di Heiligenstadt\u201d, il testo passato alla storia come lettera-confessione indirizzata ai fratelli Kaspar Karl e Nikolaus Johann. Quanto di queste angosce emerge dalla Seconda Sinfonia? Le avvisaglie dei corni e gli improvvisi colpi dei timpani nell’introduzione lenta sembrano effettivamente delineare un’atmosfera inquieta, confermata da quel nervosismo brillante gi\u00e0 anticipatore di certe atmosfere romantiche, che si stemperano poi in un irresistibile scherzo e nel frenetico finale, pieno di spirito, un capolavoro di vitalit\u00e0 e inventiva.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”213187″ sep_color_type=”uncode-solid” sep_color_solid=”#eeab1e”][vc_column_text uncode_shortcode_id=”776809″]<\/p>\n

Orchestra del Teatro Comunale di Bologna
\n<\/strong><\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_accordion sign=”plus” gutter_simple=”0″ active_tab=”0″ uncode_shortcode_id=”208143″][vc_accordion_tab icon=”fa fa-microphone-outline” gutter_size=”2″ column_padding=”2″ title=”concert introduction” tab_id=”0c4d9e13-05f2-4″][vc_column_text uncode_shortcode_id=”513641″]Prima di ogni concerto, chiavi d’ascolto a cura di
\nMartino Ruggero Dondi<\/b>[\/vc_column_text][vc_single_image media=”119579″ media_width_percent=”20″ uncode_shortcode_id=”170848″ media_link=”url:https%3A%2F%2Fwww.martinordondi.com%2Fbiografia”][vc_column_text text_lead=”small” uncode_shortcode_id=”155136″]A Milanese musician and philosopher, with a diploma in piano and a degree in philosophy with honors, he works as a collaborating maestro, choral and orchestral conductor at important opera houses. In parallel, he devotes himself to musical and cultural popularization, collaborating with Italian and international theaters and festivals.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-ticket2″ gutter_size=”3″ column_padding=”2″ title=”TICKET PRICES” tab_id=”085e0cd9-b636-516346481760651656776120017173080967273017308100880911730810355360173081116598617308129737681730814164728″][vc_column_text uncode_shortcode_id=”201884″]Intero: 10\u20ac<\/strong>
\nAbbonati Sinfonica: 8\u20ac<\/strong>
\nU30 5\u20ac<\/strong>
\nU18: 1\u20ac<\/strong>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_button size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”144625″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fgioia-domenica-con-beethoven%2F|title:Stagione%20Concerti%202026%20%E2%80%93%20Gioia|target:_blank|” button_color_solid=”#eeab1e”]JOY CALENDAR 2026[\/vc_button][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”104622″][vc_column_text uncode_shortcode_id=”998247″]Presenting Partner[\/vc_column_text][vc_single_image media=”80245″ media_width_percent=”60″ uncode_shortcode_id=”106142″ media_link=”url:https%3A%2F%2Fwww.rekeep.com”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”152721″][vc_column width=”1\/1″][vc_separator sep_color=”color-prif” uncode_shortcode_id=”129678″ sep_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”435081″]

All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

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