{"id":119952,"date":"2025-11-20T14:13:41","date_gmt":"2025-11-20T13:13:41","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/concerts-2026-symphony-mariotti\/"},"modified":"2026-03-13T14:02:02","modified_gmt":"2026-03-13T13:02:02","slug":"concerts-2026-symphony-mariotti","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/concerts-2026-symphony-mariotti\/","title":{"rendered":"Concerts 2026 | Symphony – Mariotti"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”197415″][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”505438″ css=”.vc_custom_1761565130867{padding-bottom: px !important;}”][vc_column_text text_lead=”yes” uncode_shortcode_id=”188086″]<\/p>\n

CONCERTI 2026 | SINFONICA<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_size=”fontsize-338686″ text_space=”fontspace-210350″ uncode_shortcode_id=”128081″]MICHELE MARIOTTI<\/span>[\/vc_custom_heading][vc_column_text text_lead=”yes” uncode_shortcode_id=”187729″]<\/p>\n

WAGNER<\/span>\u00a0Lohengrin<\/em>: Ouverture<\/span><\/span>
\nSCHUMANN Concerto per pianoforte e orchestra in la minore op. 54
\n<\/span><\/span>WAGNER Parsifal<\/em>: “Incantesimo del Venerd\u00ec Santo”
\n<\/span><\/span>WAGNER Tristan und Isolde<\/em>: “Preludio e morte di Isotta”<\/span><\/span><\/h6>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ border_color=”color-uydo” border_style=”solid” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”197914″ css=”.vc_custom_1761318898573{border-left-width: 1px !important;padding-left: 10px !important;}” border_color_type=”uncode-palette”][vc_custom_heading text_size=”h3″ text_space=”fontspace-210350″ uncode_shortcode_id=”138356″]4 aprile | H 20:30<\/span><\/p>\n

Auditorium Manzoni<\/span>[\/vc_custom_heading][vc_button radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”129023″ link=”url:https%3A%2F%2Fwww.vivaticket.com%2Fit%2Fticket%2F6-sinfonica-2026-mariotti%2F289968|target:_blank|” button_color_solid=”#4bb599″]ACQUISTA il tuo biglietto[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”3″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”115111″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”173916″][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”205629″][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”303468″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”178792″]<\/p>\n

Direttore
\n<\/span>Michele Mariotti<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”83369″ media_width_percent=”30″ uncode_shortcode_id=”765901″ media_link=”url:https%3A%2F%2Fwww.mariotticonductor.com%2Fbio%2F”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”204925″][vc_separator sep_color=”” icon=”fa fa-user” icon_position=”left” uncode_shortcode_id=”514365″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”167004″]<\/p>\n

Solista – Pianoforte
\n<\/span>Federico Colli<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”89840″ media_width_percent=”30″ uncode_shortcode_id=”200519″ media_link=”url:https%3A%2F%2Fwww.federicocolli.eu%2Fabout-me”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-file-text” icon_position=”left” uncode_shortcode_id=”138018″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”114866″]<\/p>\n

Programma<\/strong><\/span><\/h4>\n

[\/vc_column_text][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”954138″][vc_column_text uncode_shortcode_id=”893143″]<\/p>\n

Richard Wagner<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”71105″ media_width_percent=”20″ uncode_shortcode_id=”199110″][vc_column_text text_lead=”small” uncode_shortcode_id=”580749″]<\/p>\n

Lohengrin<\/em>: Ouverture<\/h6>\n

Il 1\u00b0 novembre 1871 il Teatro Comunale di Bologna fu la porta d’accesso di Wagner in Italia. Dopo lunghe trattative ed estenuanti preparativi, incoraggiati dal sindaco dell’epoca Camillo Casarini, Angelo Mariani diresse Lohengrin<\/i>, prima opera wagneriana ad essere vista e ascoltata nel nostro paese. Fu un evento storico, che riport\u00f2 la citt\u00e0 di Bologna al centro del dibattito musicale, assegnandole poi lo scettro di altre quattro prime nazionali, da Tannh<\/i>\u00e4user <\/i>a Olandese Volante<\/i>, da Tristan und Isolde<\/i> a Parsifal<\/i>.\u00a0<\/span><\/p>\n

Parsifal<\/em>: “Incantesimo del Venerd\u00ec Santo”<\/h6>\n

Lento e travagliato fu il percorso dell’ultima opera di Wagner, la pi\u00f9 mistica, la pi\u00f9 simbolica. Per trent’anni la clausola del Parsifal-Schutz<\/i> neg\u00f2 il diritto di rappresentare l’opera fuori da Bayreuth. Nonostante alcune eccezioni, il divieto rest\u00f2 in vigore fino al 31 dicembre 1913. Poi, scattata la mezzanotte, decine di teatri europei fecero a gara per arrivare primi sulla monumentale partitura. Vinse il Liceu di Barcellona, allestendo il dramma allo scoccare preciso del nuovo anno. Ma Bologna non dovette aspettare a lungo: il 1\u00b0 gennaio 1914 il Comunale fu il primo teatro italiano a far ascoltare l’ultimo visionario capolavoro wagneriano, sotto la direzione di Rodolfo Ferrari.\u00a0<\/span><\/p>\n

Tristan und Isolde<\/em>: “Preludio di morte di Isotta”<\/h6>\n

Il Sonetto 66 di Shakespeare sembra anticipare il destino di \u0160ostakovi\u010d, \u201cil genio imbavagliato dall\u2019autorit\u00e0\u201d. Un artista raffinato, spinto dal desiderio di indipendenza e originalit\u00e0, si ritrov\u00f2 a fronteggiare il potere brutale di Stalin e la sua dittatura paranoica e divoratrice, che disprezzava le opere d\u2019arte non accessibili al grande pubblico, preferendo trasformare gli artisti in strumenti di propaganda, pubblicitari della sua immagine e curatori del culto della sua persona. La Quarta Sinfonia corre su questo cataclisma: \u0160ostakovi\u010d la scrisse nei due anni che gli cambiarono la vita, dal 1934 al 1936, nell’arco di tempo che lo port\u00f2 dal successo clamoroso di Una Lady Macbeth del distretto Mcensk <\/i>alla sua censura, sancita sulle pagine della \u201cPravda\u201d. Per questo motivo scelse di tenere nel cassetto questo capolavoro sinfonico, apparso solo nel 1961, otto anni dopo la morte di Stalin.\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”859819″][vc_column_text uncode_shortcode_id=”207384″]<\/p>\n

Robert Schumann<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”77704″ media_width_percent=”20″ uncode_shortcode_id=”142283″][vc_column_text text_lead=”small” uncode_shortcode_id=”206992″]<\/p>\n

Concerto per pianoforte e orchestra in la minore op. 54<\/h6>\n

Non c\u2019\u00e8 sfida tra solista e orchestra, nell’unico Concerto per pianoforte di Schumann: c\u2019\u00e8 invece un rapporto, quasi cameristico, costruito su ascolto e tensione reciproca. Schumann del resto non scrive un \u201cconcerto\u201d nel senso consueto, ma in una forma nuova, pi\u00f9 fluida, dove ogni gesto ha un peso espressivo, \u00abqualcosa a met\u00e0 tra sinfonia, concerto e grande sonata – disse lo stesso compositore – perch\u00e9 mi rendo conto che non posso scrivere un concerto da \u201cvirtuoso\u201d e che devo mirare a qualcos’altro\u00bb. Cos\u00ec il pianoforte entra subito in scena, con decisione, come se fosse sorpreso in un discorso gi\u00e0 cominciato. La scrittura \u00e8 nervosa, poetica, mai prevedibile. Al centro, un Intermezzo breve e sospeso; poi il finale, che brilla di una luce interna. Un capolavoro che sembra contenere – come pochi altri – la complessit\u00e0, la malinconia e l’anima indomita del suo autore.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”193904″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”150150″]<\/p>\n

Orchestra del Teatro Comunale di Bologna
\n<\/strong><\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_accordion sign=”plus” gutter_simple=”0″ active_tab=”0″ uncode_shortcode_id=”208143″][vc_accordion_tab icon=”fa fa-microphone-outline” gutter_size=”2″ column_padding=”2″ title=”concert introduction” tab_id=”0c4d9e13-05f2-4″][vc_column_text uncode_shortcode_id=”306134″]45 min.<\/strong> before the start of the concert, the audience is invited to an in-depth discussion of the program by Luca Baccolini<\/strong>, which will be held on the lower floor of the Theater.[\/vc_column_text][vc_single_image media=”102060″ media_width_percent=”20″ uncode_shortcode_id=”184001″][vc_column_text text_lead=”small” uncode_shortcode_id=”674296″]Luca Baccolini
\n<\/strong>giornalista, divulgatore musicale e scrittore, collabora con la redazione bolognese di Repubblica<\/em> ed \u00e8 nella redazione del mensile Classic Voice<\/em>. Per Newton Compton ha pubblicato dieci libri sulla storia di Bologna. \u00c8 autore di soggetti teatrali e collabora in veste di saggista e divulgatore con le pi\u00f9 importanti istituzioni lirico sinfoniche italiane.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-ticket2″ gutter_size=”3″ column_padding=”2″ title=”TICKET PRICES” tab_id=”085e0cd9-b636-516346481760651656776120017173080967273017308100880911730810355360173081116598617308129737681730814164728″][vc_column_text uncode_shortcode_id=”648716″]SETTORE 1<\/strong>
\nIntero: 45\u20ac<\/strong>
\nOver65: 35\u20ac<\/strong>
\nRidotto30-35: 30\u20ac<\/strong>
\nU30: 25\u20ac<\/strong><\/p>\n

\n

SETTORE 2<\/strong>
\nIntero: 40\u20ac<\/strong>
\nOver65: 30\u20ac<\/strong>
\nRidotto30-35: 25\u20ac<\/strong>
\nU30: 20\u20ac<\/strong><\/p>\n

\n

SETTORE 3<\/strong>
\nIntero: 35\u20ac<\/strong>
\nOver65: 25\u20ac<\/strong>
\nRidotto30-35: 20\u20ac<\/strong>
\nU30: 15\u20ac<\/strong><\/p>\n

\n

SETTORE 4<\/strong>
\nIntero: 15\u20ac<\/strong>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-graduation-hat” gutter_size=”2″ column_padding=”2″ title=”STUDENTS” tab_id=”193081e2-097a-0″][vc_column_text uncode_shortcode_id=”117184″]Biglietti a 10\u20ac per tutti gli studenti iscritti all’Universit\u00e0 di Bologna, all’Accademia di Belle Arti di Bologna e al Conservatorio di Musica G.B. Martini per i concerti della Stagione Sinfonica 2026.
\n<\/strong>In vendita solo negli orari di prevendita della Biglietteria (dal marted\u00ec al venerd\u00ec dalle 12 alle 18 e il sabato dalle 11 alle 15), da una settimana prima del concerto, presentando badge universitario e autocertificazione di iscrizione all’anno in corso.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_button size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”170284″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fsinfonica-2026%2F|title:Stagione%20Opera%202025|target:_blank|” button_color_solid=”#ea4d02″]SYMPHONY CALENDAR 2026[\/vc_button][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”120769″][vc_column_text uncode_shortcode_id=”102398″]Main Partner Stagione Sinfonica[\/vc_column_text][vc_single_image media=”81171″ media_width_percent=”60″ uncode_shortcode_id=”297683″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”152721″][vc_column width=”1\/1″][vc_separator sep_color=”color-prif” uncode_shortcode_id=”129678″ sep_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”435081″]

All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

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