{"id":120047,"date":"2025-11-20T14:16:05","date_gmt":"2025-11-20T13:16:05","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/concerts-2026-symphony-koopman\/"},"modified":"2026-01-13T13:30:35","modified_gmt":"2026-01-13T12:30:35","slug":"concerts-2026-symphony-koopman","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/concerts-2026-symphony-koopman\/","title":{"rendered":"Concerts 2026 | Symphony – Koopman"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”197415″][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”505438″ css=”.vc_custom_1761565130867{padding-bottom: px !important;}”][vc_column_text text_lead=”yes” uncode_shortcode_id=”188086″]<\/p>\n

CONCERTS 2026 | SYMPHONY<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_size=”fontsize-338686″ text_space=”fontspace-210350″ uncode_shortcode_id=”742337″]TON KOOPMAN<\/span>[\/vc_custom_heading][vc_column_text text_lead=”yes” uncode_shortcode_id=”446219″]<\/p>\n

MOZART<\/span> Nocturnal Serenade K. 239<\/span>
\nHAYDN<\/span> Symphony No. 100 in G major Military<\/em> <\/span>
\nMOZART<\/span> Coronation Mass in C major K. 317<\/span><\/h6>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ border_color=”color-uydo” border_style=”solid” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”197914″ css=”.vc_custom_1761318898573{border-left-width: 1px !important;padding-left: 10px !important;}” border_color_type=”uncode-palette”][vc_custom_heading text_size=”h3″ text_space=”fontspace-210350″ uncode_shortcode_id=”197011″]10 January | H 20:30<\/span><\/p>\n

Manzoni Auditorium<\/span>[\/vc_custom_heading][vc_button radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”171234″ link=”url:https%3A%2F%2Fwww.vivaticket.com%2Fit%2Fticket%2F1-sinfonica-2026-koopman%2F289958|target:_blank” button_color_solid=”#4bb599″]BUY YOUR TICKET[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”3″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”115111″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”173916″][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”303468″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”205629″][vc_column_text uncode_shortcode_id=”134602″]<\/p>\n

Director
\n<\/span>Ton Koopman<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”119341″ media_width_percent=”30″ uncode_shortcode_id=”128355″ media_link=”url:https%3A%2F%2Fwww.tonkoopman.nl%2Fen%2Fartikelen-en-boeken”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”160762″][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-user” icon_position=”left” uncode_shortcode_id=”514365″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”159116″]<\/p>\n

Soloists<\/span><\/span><\/h4>\n

[\/vc_column_text][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”148975″][vc_column_text uncode_shortcode_id=”169221″]<\/p>\n

Soprano
\n<\/span>Suzanne Jerosme<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”119340″ media_width_percent=”50″ uncode_shortcode_id=”689214″ media_link=”url:https%3A%2F%2Fwww.suzannejerosme.com%2Fbiography”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”782601″][vc_column_text uncode_shortcode_id=”183322″]<\/p>\n

Mezzo-soprano
\n<\/span>Lara Morger<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”119334″ media_width_percent=”50″ uncode_shortcode_id=”851760″ media_link=”url:https%3A%2F%2Fwww.laramorger.com%2F%23about”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”158337″][vc_column_text uncode_shortcode_id=”811904″]<\/p>\n

Tenor
\n<\/span>Kieran White<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”119333″ media_width_percent=”50″ uncode_shortcode_id=”158017″ media_link=”url:https%3A%2F%2Fwww.kieranwhitetenor.com%2Fabout”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”134117″][vc_column_text uncode_shortcode_id=”161705″]<\/p>\n

Bass
\n<\/span>Peter Harvey<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”119338″ media_width_percent=”50″ uncode_shortcode_id=”192384″ media_link=”url:https%3A%2F%2Fwww.peterharvey.com%2Fbiography.htmlhttps%3A%2F%2Fwww.peterharvey.com%2Findex.html”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-file-text” icon_position=”left” uncode_shortcode_id=”138018″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”114866″]<\/p>\n

Program<\/strong><\/span><\/h4>\n

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Wolfgang Amadeus Mozart<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”54683″ media_width_percent=”20″ uncode_shortcode_id=”134225″][vc_column_text text_lead=”small” uncode_shortcode_id=”165397″]<\/p>\n

Night Serenade K. 239<\/h6>\n

To the sound of a march with a chivalrous flavor begins the new 2026 symphonic season of the Municipal Theater. It is the incipit of the Serenata Notturna K. 239, written 250 years ago by a 20-year-old Mozart, already an absolute master of that lofty and at the same time delightful language, capable of reconciling the playful and serious, brilliant and compassionate register. And in this joyful concession to the worldly reality of Salzburg – from which the composer would later flee to seek his fortune in Vienna – there are still echoes of the Baroque concerto grosso: a string quartet (two violins, viola, double bass) contrasted with the “stuffing” of strings and timpani. A humor-filled play of sides, with surprising timbral effects.<\/p>\n

Coronation Mass in C major K. 317<\/h6>\n

For Mozart, 1778 was a watershed year, marked by the tragic tour to Paris in which job failure was compounded by the death of his mother. The return to Salzburg, with readmission to Cardinal Colloredo’s payroll, smacked of defeat. But prodigious was the artistic reaction: in a few months the Sinfonia Concertante K. 364, the Concerto for two pianos K. 365 and the Coronation Mass, intended not for a sovereign but for the feast for an image of the Virgin venerated at Maria Plain, near Salzburg, were born. In this sacred page from 1779 one can already sense Mozart’s fatal attraction to the theater, shortly to be sealed byIdomeneo<\/i>. And for those who like to see the strange path of certain musical ideas, listen to the opening theme of the Agnus Dei, the direct parent of “Dove sono i bei momenti,” one of the finest arias in the future Marriage of Figaro<\/i>. \u00a0<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”859819″][vc_column_text uncode_shortcode_id=”799029″]<\/p>\n

Franz Joseph Haydn<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”93148″ media_width_percent=”20″ uncode_shortcode_id=”134300″][vc_column_text text_lead=”small” uncode_shortcode_id=”149326″]<\/p>\n

Symphony No. 100 in G major Military<\/em><\/h6>\n

“Without Haydn the world would be poorer,” the great conductor Wilhelm Furtw\u00e4ngler once said. He was not exaggerating. Certainly without his London symphonies it would be hard to imagine Beethoven and the symphony’s later development. The “Military,” so dubbed because of the martial tone that breaks the regular progression of the second movement, is a masterpiece of serene and masterful music writing, a necessary table of comparison for all later composers, symphonist, operatic or purely entertaining. One only has to think of certain passages already unmistakably typical of Johann Strauss I’s future marches, where the militaristic tone is historiated with irresistible ironic veins.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”193904″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”390944″]<\/p>\n

Orchestra and Chorus of the Teatro Comunale di Bologna
\nChorus Master<\/span> Gea Garatti Ansini<\/strong><\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_accordion sign=”plus” gutter_simple=”0″ active_tab=”0″ uncode_shortcode_id=”208143″][vc_accordion_tab icon=”fa fa-microphone-outline” gutter_size=”2″ column_padding=”2″ title=”concert introduction” tab_id=”0c4d9e13-05f2-4″][vc_column_text uncode_shortcode_id=”306134″]45 min.<\/strong> before the start of the concert, the audience is invited to an in-depth discussion of the program by Luca Baccolini<\/strong>, which will be held on the lower floor of the Theater.[\/vc_column_text][vc_single_image media=”102060″ media_width_percent=”20″ uncode_shortcode_id=”184001″][vc_column_text text_lead=”small” uncode_shortcode_id=”674296″]Luca Baccolini
\n<\/strong>journalist, music popularizer and writer, works with the Bologna editorial office of Repubblica<\/em> and is on the editorial staff of the monthly Classic Voice.<\/em> For Newton Compton he has published ten books on the history of Bologna. He is the author of theatrical subjects and collaborates as an essayist and popularizer with the most important Italian lyrical symphonic institutions.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-ticket2″ gutter_size=”3″ column_padding=”2″ title=”TICKET PRICES” tab_id=”085e0cd9-b636-516346481760651656776120017173080967273017308100880911730810355360173081116598617308129737681730814164728″][vc_column_text uncode_shortcode_id=”648716″]SECTOR 1<\/strong>
\nFull: \u20ac45<\/strong>
\nOver65: \u20ac35<\/strong>
\nReduced30-35: \u20ac30<\/strong>
\nU30: \u20ac25<\/strong><\/p>\n

\n

SECTOR 2<\/strong>
\nFull: 40\u20ac<\/strong>
\nOver65: 30\u20ac<\/strong>
\nReduced30-35: 25\u20ac<\/strong>
\nU30: 20\u20ac<\/strong><\/p>\n

\n

SECTOR 3<\/strong>
\nFull: 35\u20ac<\/strong>
\nOver65: 25\u20ac<\/strong>
\nReduced30-35: 20\u20ac<\/strong>
\nU30: 15\u20ac<\/strong><\/p>\n

\n

SECTOR 4<\/strong>
\nFull: \u20ac15<\/strong>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-graduation-hat” gutter_size=”2″ column_padding=”2″ title=”STUDENTS” tab_id=”193081e2-097a-0″][vc_column_text uncode_shortcode_id=”117184″]Tickets at \u20ac10 for all students enrolled at the University of Bologna, the Academy of Fine Arts of Bologna and the G.B. Martini Conservatory of Music for concerts of the 2026 Symphonic Season.
\n<\/strong>On sale only during Ticket Office presale hours (Tuesday to Friday from 12 to 6 p.m. and Saturdays from 11 a.m. to 3 p.m.), from one week before the concert, by presenting university badge and self-certification of enrollment for the current year.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_button size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”170284″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fsinfonica-2026%2F|title:Stagione%20Opera%202025|target:_blank|” button_color_solid=”#ea4d02″]SYMPHONY CALENDAR 2026[\/vc_button][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”183639″][vc_column_text uncode_shortcode_id=”850524″]Main Partner Stagione Sinfonica[\/vc_column_text][vc_single_image media=”81171″ media_width_percent=”70″ uncode_shortcode_id=”303960″ media_link=”url:https%3A%2F%2Fwww.intesasanpaolo.com”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”152721″][vc_column width=”1\/1″][vc_separator sep_color=”color-prif” uncode_shortcode_id=”129678″ sep_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”435081″]

All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

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