{"id":120065,"date":"2025-11-20T14:16:08","date_gmt":"2025-11-20T13:16:08","guid":{"rendered":"https:\/\/www.tcbo.it\/eventi\/concerts-2026-symphony-bjarnason\/"},"modified":"2026-01-28T12:48:47","modified_gmt":"2026-01-28T11:48:47","slug":"concerts-2026-symphony-bjarnason","status":"publish","type":"portfolio","link":"https:\/\/www.tcbo.it\/en\/eventi\/concerts-2026-symphony-bjarnason\/","title":{"rendered":"Concerts 2026 | Symphony – Bjarnason"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”197415″][vc_column column_width_percent=”100″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”505438″ css=”.vc_custom_1761565130867{padding-bottom: px !important;}”][vc_column_text text_lead=”yes” uncode_shortcode_id=”188086″]<\/p>\n

CONCERTS 2026 | SYMPHONY<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_size=”fontsize-338686″ text_space=”fontspace-210350″ uncode_shortcode_id=”792901″]DAN\u00cdEL BJARNASON<\/span>[\/vc_custom_heading][vc_column_text text_lead=”yes” uncode_shortcode_id=”208469″]<\/p>\n

BJARNASON<\/span> Fragile Hope
\n<\/em>Italian premiere performance<\/span><\/span>
\nBJARNASON<\/span> Concerto for violin and orchestra
\nFirst Italian performance<\/span><\/span><\/span>
\nBRITTEN<\/span> Peter Grimes: <\/em>Passacaglia
\n<\/span>SIBELIUS Symphony No. 7 in C major op 105 <\/span><\/span><\/h6>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ border_color=”color-uydo” border_style=”solid” shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”197914″ css=”.vc_custom_1761318898573{border-left-width: 1px !important;padding-left: 10px !important;}” border_color_type=”uncode-palette”][vc_custom_heading text_size=”h3″ text_space=”fontspace-210350″ uncode_shortcode_id=”789298″]31 January | H 20:30<\/span><\/p>\n

Manzoni Auditorium<\/span>[\/vc_custom_heading][vc_button radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”112724″ link=”url:https%3A%2F%2Fwww.vivaticket.com%2Fit%2Fticket%2F2-sinfonica-2026-bjarnason%2F289964|target:_blank” button_color_solid=”#4bb599″]BUY YOUR TICKET[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”6″ top_padding=”2″ bottom_padding=”3″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”115111″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″ uncode_shortcode_id=”173916″][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”205629″][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”303468″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”158230″]<\/p>\n

Director
\n<\/span>Dan\u00edel Bjarnason<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”120911″ media_width_percent=”30″ uncode_shortcode_id=”208423″ media_link=”url:https%3A%2F%2Fwww.danielbjarnason.com%2Fabout”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”140693″][vc_separator sep_color=”” icon=”fa fa-user” icon_position=”left” uncode_shortcode_id=”514365″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”185710″]<\/p>\n

Soloist – Violin
\n<\/span>Ava Bahari<\/strong><\/h5>\n

[\/vc_column_text][vc_single_image media=”120910″ media_width_percent=”30″ uncode_shortcode_id=”158141″ media_link=”url:https%3A%2F%2Fwww.avabahari.com%2Fabout”][vc_single_image media=”119829″ media_width_percent=”30″ uncode_shortcode_id=”909535″ media_link=”url:https%3A%2F%2Fwww.avabahari.com%2Fabout”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-file-text” icon_position=”left” uncode_shortcode_id=”138018″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”114866″]<\/p>\n

Program<\/strong><\/span><\/h4>\n

[\/vc_column_text][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”954138″][vc_column_text uncode_shortcode_id=”209492″]<\/p>\n

Dan\u00edel Bjarnason<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”120911″ media_width_percent=”30″ uncode_shortcode_id=”136402″][vc_column_text text_lead=”small” uncode_shortcode_id=”180941″]<\/p>\n

Fragile Hope
\n<\/em>Italian premiere performance
\n<\/span>14 min.<\/h6>\n

Despite a population that does not match that of Bologna, Iceland is now one of the most vibrant countries on the world music scene, as evidenced by the recent Academy Award given to Hildur Gudnadottir for the score of the film Joker<\/i>. Dan\u00edel Bjarnason (1979) is himself one of contemporary Iceland’s leading voices, both as a composer and conductor. In the 2023-24 season, the Gothenburg Symphony premiered A Fragile Hope<\/i>, a piece in a series of pieces commissioned from leading Scandinavian area composers with the aim of highlighting the vulnerability of marine life. The musical language is linked to personal memories, imbued with the natural suggestions of a unique country suspended between water and fire.  <\/span><\/p>\n

Concerto for violin and orchestra
\n<\/em>First Italian performance
\n<\/span>20 min.<\/h6>\n

Commissioned by the Los Angeles Philharmonic and the Iceland Symphony Orchestra, Bjarnason’s Violin Concerto “Scordatura” saw the light of day in 2017 under the baton of Gustavo Dudamel. The title evokes the unconventional tuning of the violin, which is called to very daring technical solutions, between very fast broken chords and hyper-virtuosic cadences that enhance the instrument’s timbral palette<\/i> to the extreme limit of its lowest notes. Bjarnason articulates Scordatura<\/i> in a single organic movement, lasting 25 minutes. Since its first performance, with Pekka Kuusisto as soloist, the piece has been an immediate success, establishing itself in the repertoire of new music of the 21st century.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”859819″][vc_column_text uncode_shortcode_id=”520698″]<\/p>\n

Benjamin Britten<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”54550″ media_width_percent=”30″ uncode_shortcode_id=”489234″][vc_column_text text_lead=”small” uncode_shortcode_id=”925986″]<\/p>\n

Peter Grimes: <\/em>Passacaglia
\n16 min.<\/h6>\n

Peter Grimes<\/i>, Benjamin Britten’s first theatrical success in 1945, tells the tragic story of a lonely fisherman struggling with an asphyxiated community that fears and condemns him by trusting prejudice. At the center is the conflict between the individual and public opinion, between ambiguous truths and entrenched conformity. With music ranging from poignant lyricism to darker dramatic tension, Britten paints a complex protagonist in a ruthless social environment, turning a personal drama into a universal reflection on intolerance. From the score the composer expunged several symphonic pieces-the Four Sea Interludes<\/i> and the Passacaglia-that condense Grimes’ tragic screwing around. In these pieces, nature takes the place of the protagonist, declaring itself as a force close to, but indifferent to, man’s fate.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”132863″][vc_column_text uncode_shortcode_id=”158016″]<\/p>\n

Jean Sibelius<\/span><\/h5>\n

[\/vc_column_text][vc_single_image media=”57377″ media_width_percent=”30″ uncode_shortcode_id=”135163″][vc_column_text text_lead=”small” uncode_shortcode_id=”261509″]<\/p>\n

Symphony No. 7 in C major op. 105
\n21 min.<\/h6>\n

In 1904 Bologna was the first Italian square to perform music by Sibelius. Since that concert, conducted by Arturo Toscanini, the city has maintained a constant link with the greatest Finnish composer, capable of speaking a solipsistic yet universal language. The Seventh<\/i>, completed in 1924, concludes his symphonic journey, just before a creative silence that lasted nearly 30 years, until his death. In this “Symphonic Fantasy,” as Sibelius himself baptized it after nearly six years of work, one finds the superb and enigmatic atmospheres of his poetics, with a freedom of writing that no longer bothers to scan individual movements, but creates a single expanding arc. His swan song.  <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”” icon=”fa fa-music” icon_position=”left” uncode_shortcode_id=”193904″ sep_color_type=”uncode-solid” sep_color_solid=”#ea4d02″][vc_column_text uncode_shortcode_id=”150150″]<\/p>\n

Orchestra of the Teatro Comunale di Bologna
\n<\/strong><\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_accordion sign=”plus” gutter_simple=”0″ active_tab=”0″ uncode_shortcode_id=”208143″][vc_accordion_tab icon=”fa fa-microphone-outline” gutter_size=”2″ column_padding=”2″ title=”concert introduction” tab_id=”0c4d9e13-05f2-4″][vc_column_text uncode_shortcode_id=”306134″]45 min.<\/strong> before the start of the concert, the audience is invited to an in-depth discussion of the program by Luca Baccolini<\/strong>, which will be held on the lower floor of the Theater.[\/vc_column_text][vc_single_image media=”102060″ media_width_percent=”20″ uncode_shortcode_id=”184001″][vc_column_text text_lead=”small” uncode_shortcode_id=”674296″]Luca Baccolini
\n<\/strong>journalist, music popularizer and writer, works with the Bologna editorial office of Repubblica<\/em> and is on the editorial staff of the monthly Classic Voice.<\/em> For Newton Compton he has published ten books on the history of Bologna. He is the author of theatrical subjects and collaborates as an essayist and popularizer with the most important Italian lyrical symphonic institutions.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-ticket2″ gutter_size=”3″ column_padding=”2″ title=”TICKET PRICES” tab_id=”085e0cd9-b636-516346481760651656776120017173080967273017308100880911730810355360173081116598617308129737681730814164728″][vc_column_text uncode_shortcode_id=”648716″]SECTOR 1<\/strong>
\nFull: \u20ac45<\/strong>
\nOver65: \u20ac35<\/strong>
\nReduced30-35: \u20ac30<\/strong>
\nU30: \u20ac25<\/strong><\/p>\n

\n

SECTOR 2<\/strong>
\nFull: 40\u20ac<\/strong>
\nOver65: 30\u20ac<\/strong>
\nReduced30-35: 25\u20ac<\/strong>
\nU30: 20\u20ac<\/strong><\/p>\n

\n

SECTOR 3<\/strong>
\nFull: 35\u20ac<\/strong>
\nOver65: 25\u20ac<\/strong>
\nReduced30-35: 20\u20ac<\/strong>
\nU30: 15\u20ac<\/strong><\/p>\n

\n

SECTOR 4<\/strong>
\nFull: \u20ac15<\/strong>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab icon=”fa fa-graduation-hat” gutter_size=”2″ column_padding=”2″ title=”STUDENTS” tab_id=”193081e2-097a-0″][vc_column_text uncode_shortcode_id=”117184″]Tickets at \u20ac10 for all students enrolled at the University of Bologna, the Academy of Fine Arts of Bologna and the G.B. Martini Conservatory of Music for concerts of the 2026 Symphonic Season.
\n<\/strong>On sale only during Ticket Office presale hours (Tuesday to Friday from 12 to 6 p.m. and Saturdays from 11 a.m. to 3 p.m.), from one week before the concert, by presenting university badge and self-certification of enrollment for the current year.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_button size=”btn-sm” radius=”btn-round” shadow=”yes” border_width=”0″ button_color_type=”uncode-solid” uncode_shortcode_id=”170284″ link=”url:https%3A%2F%2Fwww.tcbo.it%2Fsinfonica-2026%2F|title:Stagione%20Opera%202025|target:_blank|” button_color_solid=”#ea4d02″]SYMPHONY CALENDAR 2026[\/vc_button][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”105218″][vc_column_text uncode_shortcode_id=”850524″]Main Partner Stagione Sinfonica[\/vc_column_text][vc_single_image media=”81171″ media_width_percent=”70″ uncode_shortcode_id=”303960″ media_link=”url:https%3A%2F%2Fwww.intesasanpaolo.com”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”152721″][vc_column width=”1\/1″][vc_separator sep_color=”color-prif” uncode_shortcode_id=”129678″ sep_color_type=”uncode-palette”][vc_column_text text_lead=”small” uncode_shortcode_id=”435081″]

All Events<\/span>Opera<\/span>Dance<\/span>Concerts<\/span>Other Events<\/span><\/div>
<\/div><\/a>
18<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
21<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
April<\/div>
Opera<\/div>

Opera 2026 | Roberto Devereux<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
3<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 4<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 5<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
19<\/div>
May<\/div>
Opera<\/div>

Opera 2026 | Olympia<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
May<\/div>
Dance<\/div>

Dance 2026 | Carmen<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Foron<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
May<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 6<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
12<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
14<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 16:00<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 18:00<\/div><\/div><\/div>
<\/div><\/a>
17<\/div>
June<\/div>
Opera<\/div>

Opera 2026 | Naples Millionaires<\/h3>
Comunale Nouveau, 20:00<\/div><\/div><\/div>
<\/div><\/a>
24<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
June<\/div>
Dance<\/div>

Dance 2026 | Cluster<\/h3>
Comunale Nouveau, 20:30<\/div><\/div><\/div>
<\/div><\/a>
8<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
9<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
10<\/div>
October<\/div>
Dance<\/div>

Dance 2026 | Caravaggio<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
16<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Sado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
23<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
25<\/div>
October<\/div>
Opera<\/div>

Opera 2026 | Semele<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
26<\/div>
October<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Abbado<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
6<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Chauhan<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 20:00<\/div><\/div><\/div>
<\/div><\/a>
15<\/div>
November<\/div>
Opera<\/div>

Opera 2026 | Samson et Dalila<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div>
<\/div><\/a>
20<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Bolton<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
22<\/div>
November<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 7<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
28<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 20:30<\/div><\/div><\/div>
<\/div><\/a>
29<\/div>
November<\/div>
Dance<\/div>

Dance 2026 | Morricone Night<\/h3>
Teatro EuropAuditorium, 16:00<\/div><\/div><\/div>
<\/div><\/a>
11<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Angius<\/h3>
Teatro Manzoni, 20:30<\/div><\/div><\/div>
<\/div><\/a>
13<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Joy – Symphony No. 8<\/h3>
Teatro Manzoni, 11:00<\/div><\/div><\/div>
<\/div><\/a>
31<\/div>
December<\/div>
Concerts<\/div>

Concerts 2026 | Symphony – Stenz<\/h3>
Teatro Manzoni, 16:00<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”4\/6″][vc_custom_heading uncode_shortcode_id=”149354″]<\/p>\n

Let’s talk about Opera | Opera Season 2025<\/span><\/h4>\n

LET’S TALK ABOUT “A MASQUERADE BALL”<\/span><\/h1>\n

WITH LODO GUENZI<\/span><\/span><\/h2>\n

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