Concert of the young performers of the Scuola dell'Opera of Teatro Comunale di Bologna
Javiera Saavedra soprano
Maria Sardaryan soprano
Elena Caccamo mezzosoprano
Eleonora Filipponi mezzosoprano
Pierluigi D’Aloia tenore
Thiago Felipe Stopa baritono
Andrea Tabili basso
al pianoforte Amedeo Salvato
Thursday 16 July | H 21.00
Teatro Comunale
With a view to maximizing the protection of its public and in compliance with the indications on the safety spacing contained in the DCPM of 11 June 2020 (art.1 lett. M) The Theater makes available to spectators the following purchase options:
Whole stage 3 seats * | Whole stage 2 seats * | Single stage 1 seat | Poltronissima (stage).
It should also be noted that the positioning of the orchestra will be in the audience behind the stage; therefore stalls are not offered for sale.
The stages are offered for sale only whole and it is not possible to break their purchase. The distance of at least 1 meter is foreseen among the Poltronissime, arranged on the stage.
* The purchase of the entire stage is possible only if the occupying spectators are not subject to the obligations of interpersonal distancing.
Program
GIOACHINO ROSSINI
da Il Barbiere di Siviglia
Ecco ridente in ciel, aria del Conte d’Almaviva (Pierluigi D’Aloia)
Dunque io son, duetto di Figaro e Rosina (Elena Caccamo, Thiago Felipe Stopa)
GEORGE FRIEDRICH HÄNDEL
da Alcina
Tornami a vagheggiar, aria di Morgana (Maria Sardaryan)
da Giulio Cesare
Belle dee, aria di Tolomeo (Eleonora Filipponi)
L’empio, sleale, indegno, aria di Tolomeo (Eleonora Filipponi)
WOLFGANG AMADEUS MOZART
da La clemenza di Tito
Parto, parto, aria di Sesto (Elena Caccamo)
Vorrei spiegarvi, oh Dio, aria da concerto K.418 (Maria Sardaryan)
da Don Giovanni
Il mio tesoro intanto, aria di Don Ottavio (Pierluigi D’Aloia)
da Le nozze di Figaro
Non più andrai farfallone amoroso, aria di Figaro (Andrea Tabili)
Hai già vinta la causa, aria del Conte (Thiago Felipe Stopa)
da Così fan tutte
Soave sia il vento, terzetto di Fiordiligi, Dorabella, Don Alfonso (Javiera Saavedra, Eleonora Filipponi, Andrea Tabili)
DOMENICO CIMAROSA
da Il Matrimonio Segreto
Cara non dubitar, duetto di Paolino e Carolina (Pierluigi D’Aloia, Maria Sardaryan)
Le faccio un inchino, terzetto di Elisetta, Carolina e Fidala (Javiera Saavedra, Maria Sardaryan, Eleonora Filipponi)
GIOACHINO ROSSINI
da La Cenerentola
Siete voi…Questo è un nodo avviluppato, sestetto (Maria Sardaryan, Elena Caccamo, Eleonora Filipponi, Pierluigi D’Aloia, Thiago Felipe Stopa, Andrea Tabili)
Composers
Gioachino Rossini
Italian composer born in Pesaro in 1792 and died in Paris in 1868.
His activity has spanned various musical genres but he is remembered above all for the compositions of lyrical works including Il Barbiere di Siviglia, L’Italiana in Algeri, La Cenerentola.
Considered one of the greatest operators in the history of music for earliness and speed of composition, he is also known as the Swan of Pesaro.
Georg Friedrich Händel
Georg Friedrich Händel (1685-1759) was one of the first composers to write concerts for organ and orchestra, intended to be performed in the intervals of the speakers. His work can be considered as the highest and most complete expression of the musical baroque. Händel’s language was influenced above all by the music he had the opportunity to listen to in Italy during his youthful stay, but also by French instrumental music, by English hymns and by German sacred music.
Wolfgang Amadeus Mozart
The Austrian composer Wolfgang Amadeus Mozart (1756-1791) is universally known for the very high artistic value of his productions. Endowed with a rare and precocious talent and died at thirty-six years of age, he raised the pre-existing models and throughout the nineteenth century in his music an ideal of grace and beauty was identified, achieved without effort. However, under the apparent Mozartian levity, there are distinctly worries, mysterious shaded areas not such as to turn the image upside down but sufficient to overshadow more complex expressive contents.
Domenico Cimarosa
The composer Domenico Cimarosa (1749-1801) was trained in the environment of the Neapolitan melodrama. In his masterpiece Il Matrimonio segreto (1792) the music spreads fluidly, from the intimate tone of melancholy to the colorful panache of frizzi and ciarle, creating a vital dramatic continuity that ensures all characters, even the most loaded, a persuasive human dimension.
Cimarosa’s opera activity was constantly accompanied by an interest in instrumental music: he composed 38 sonatas for harpsichord and 81 for fortepiano.
Gioachino Rossini
Italian composer born in Pesaro in 1792 and died in Paris in 1868.
His activity has spanned various musical genres but he is remembered above all for the compositions of lyrical works including Il Barbiere di Siviglia, L’Italiana in Algeri, La Cenerentola.
Considered one of the greatest operators in the history of music for earliness and speed of composition, he is also known as the Swan of Pesaro.