TARTINI - DI LASSO - BRAHMS - CAPLET - LACHNER
Alberto Malazzi | Women's choir of Teatro Comunale
Born in 1961, he studied piano and composition at the G. Verdi Conservatory in Milan. From 2002 to 2018 he was Choir Master at the Teatro alla Scala in Milan, previously held the role of guest Choir Master at Radio-France, piano accompanist for the Sommerakademie Mozarteum in Salzburg and worked extensively with the Teatro La Fenice in Venice and the Rossini Opera Festival in Pesaro. From 2019 he is Choir Master at the Teatro Comunale di Bologna.
He is Professor of Organ at the Conservatory “G.Tartini” of Trieste and co-owner organist at the Cathedral of Bologna. Born in Bologna in 1969, after achieving the highest grades at High School, he studied Organ, Composition and Organ improvisation at the Conservatories and Musikhochschulen of Piacenza, Bologna, Friborg / Brsg., Lucerne and Rotterdam, in the classes of G. Perotti, U. Pineschi, K. Schnorr, P. Th. Flury, B. Van Oosten.
Wednesday | 17 April | H 20.30Basilica di San Petronio
Program
“It is the theme of the Cross that characterizes this program for women’s choir, a cappella, organ and string orchestra. It is the cross seen by Maria, in the two Stabat Mater by Giuseppe Tartini (1692-1770) and Franz Lachner (1803-1890), sadly monotone, amid Gregorian melody and simple harmonization with three voices, the first, and with vibrant tones, steeped in doubt, to contrast the colour of the female voices with an orchestration for serious strings only (ie without violins), in the German tradition of the Gesang der Geister über den Wassern by Franz Schubert and the first movement of the Deutsches Requiem by Johannes Brahms, the second. It is the cross for those who believe, the one that supports the body of the Lamb sacrificed to save the world, in the group of motets by Orlando di Lasso (1532-1594) and Johannes Brahms (1833-1897), where the common counterpoint writing declines in filigree transparencies, differing only in degree, and in the Mass by André Caplet (1878-1925), a masterpiece of compositional finesse, with its Gregorian echoes, and spiritual sensitivity, although (or perhaps precisely because) written in the aftermath massacre of the Great War”.
Alberto Malazzi
GIUSEPPE TARTINI
Stabat Mater for a cappella choir
ORLANDO DI LASSO
From Cantiones Duarum Vocum
Oculus non vidit
Expectatio justorum
JOHANNES BRAHMS
Ave Maria op. 12 for women’s choir and organ
Der 13. Psalm op. 27 for women’s choir and organ
O bone Jesu op. 37 n. 1
Adoramus te op. 37 n. 2
ANDRÉ CAPLET
Messe a trois voix
FRANZ LACHNER
Stabat Mater op. 168 for soloists, choir and orchestra
ComposERS
ORCHESTRA AND CHOIR OF TEATRO COMUNALE DI BOLOGNA
Considered one of the most prestigious ensembles worldwide, through the years the Chorus has been led by Gaetano Riccitelli, Leone Magiera, Fulvio Fogliazza, Fulvio Angius, Piero Monti, Marcello Seminara, Paolo Vero, Lorenzo Fratini, Andrea Faidutti, and, since 2019, Alberto Malazzi. Among its many recordings are those of La Favorita,Macbeth,Manon Lescaut,Rigoletto,La Cenerentola,and Rossini’sMessa Solenne. Its numerous international tours include Amsterdam (1987), Wiesbaden (1994), Japan (1993, 1998, 2002, 2006, 2011, 2017), Savonlinna (2006), Santander (2008), Muscat (2015), Paris (2018). In 2001 the Chorus performed Verdi’s Messa da Requiemat the London Royal Albert Hall within the BBC Proms Festival, with the Royal Philharmonic Orchestra conducted by Daniele Gatti. In June 2019 the Chorus will once again be touring Japan (Osaka, Tokyo, Yokohama, Fukuoka) with Rigolettoconducted by Alessio Pizzech, and IlBarbiere di Sivigliaconducted by Federico Grazzini. Noteworthy is its return to the Rossini Opera Festival from 2009 to 2016, where in 2011 the Choruswas part of the production of Mosè in Egitto, directed by Graham Vick and conducted by Roberto Abbado,that won the “Abbiati” award as best show forthat year. In 2017 the Chorus wasat the Verdi Festival in Parmaperforming Traviata, and the Stiffeliodirected by Graham Vick at the Teatro Farnese that was awarded the “Franco Abbiati” Special Prize.Its engagementswith the Verdi Festival forthe Fall of 2019will see the Chorus perform Luisa Millerat the Chiesa di San Francesco del Prato in Parma, and Aidaat the Teatro Verdi in Busseto.The Teatro Comunale’s 2018 production of La Bohèmestaged by GrahamVick received the Abbiati Award as best show.