IN CONTROL
Opera Routes, between Art and History
Opera Season 2025
Candide
LIGHT FOR THE ARTS
1 JUL | H 8 P.M.
Manzoni Auditorium
FULL 15€
REDUCED (Public Opera Teatro Comunale di Bologna) 7.50€*
Subscribers to the 2025 Opera Season have free admission subject to availability. Subscribers will be able to pick up tickets by presenting their season tickets at the theater’s box office counters (Largo Respighi, 1) according to opening hours.
*Reductionis reserved for those who have already purchased a ticket on at least one date of the opera title being explored. The reduction will be verified at the time of admission upon presentation of the ticket purchased on the opera title.
History always comes back to reflect on itself. And so it is with Voltaire’s Candide, with the twentieth-century rediscovery of neoclassical and Enlightenment models, in the dialogue between musicians, philosophers and artists in the years of McCarthyism. Candide as the cue for a visual journey to re-enact all those who railed against all kinds of constituted authority, from political to military and commercial. How can one really believe that everything is “good and right” when signs of evil appear evident everywhere?
with
Born in Livorno, he graduated in bassoon from the Mascagni Music Institute in his hometown and then earned a Diploma of Merit in bassoon at the Accademia Chigiana in Siena for three consecutive years. He graduated in Modern History from the University of Pisa and in Visual Arts from the University of Bologna. In 1997 he was a finalist in the ARD International Competition in Munich with the Avant-garde Wind Quintet. In 1996 he joined the Orchestra del Teatro Comunale di Bologna on a permanent basis, and in 2008 he was among the founders of the Filarmonica del Teatro Comunale di Bologna, of which he has been president since 2022. Since 2014 he has been editor of “Advances in Historical Studies.” A contributor to the journals “Classic Voice,” “Biblioteca di via Senato” and “Snaporaz,” his writings have also appeared in “Nuova Informazione Bibliografica,” “Psyche,” “Quaderni del Vittoriale” and “Sinn und Form.” He has published Paul Wittgenstein, the Pianist in Half (2017), Satie’s Umbrellas (2018), Invitation to Listening to Beethoven (2020), Variations on Fate (2022) and Invitation to Listening to Bruckner (2024).
Giovanni Carlo Federico Villa, university professor, is director of Palazzo Madama in Turin and president of the Ateneo di Scienze Lettere ed Arti in Bergamo. A former member of the Superior Council for Cultural and Landscape Heritage of the Ministry of Culture (2019-2022), he was honorary director of the Civic Museums of Vicenza (2015-2018) and for the Scuderie del Quirinale in Rome he curated the exhibitions Antonello da Messina (2006), Giovanni Bellini (2008), Lorenzo Lotto (2011), Tintoretto (2012) and Titian (2013), as well as numerous exhibition projects in Italy and abroad. He is the author of more than three hundred publications and important monographs. Numerous are his popular appearances related to the national artistic heritage on major Italian and foreign radio and television channels.
1 JUL | H 8 P.M.
Manzoni Auditorium
FULL 15€
REDUCED (Public Opera Teatro Comunale di Bologna) 7.50€*
Subscribers to the 2025 Opera Season have free access while seats assigned to the category are available. Subscribers will be able to pick up tickets by presenting their season tickets at the theater’s box office counters (Largo Respighi, 1) according to opening hours.
*Reductionis reserved for those who have already purchased a ticket on at least one date of the opera title being explored. The reduction will be verified at the time of admission upon presentation of the ticket purchased on the opera title.
Edited by Barbara Abbondanza
in co-production with
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